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Word: mama (lookup in dictionary) (lookup stats)
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...Lago di Garda. Maureen and Rossano have no sooner snuggled into his sumptuous Villa Fiorita than her pint-sized son and daughter (Martin Stephens, Elizabeth Dear) arrive. They have paid their fare to Italy by selling the girl's pet pony, but they fully intend to put Mama back in harness. Soon they are joined by Brazzi's convent-bred daughter (Olivia Hussey) who has the same idea...

Author: /time Magazine | Title: Cinema: Mama Steps Out | 6/4/1965 | See Source »

Gisela Elsner's novel is composed of ordinary events in Leinlein's life: breakfast with Mama and Papa, watching Papa at work, a day with Grandmama, a quarrel between his parents, a country outing with the family. But through...

Author: /time Magazine | Title: Books: Child's Garden of Nightmares | 5/7/1965 | See Source »

Leinlein's terrible and innocent eyes each episode is murderously dissected. Papa eats like a pig while Mama throws up into her napkin with revulsion. Grandmama is a steely old Nazi who relives the past by driving more nails into the crucifix above her bed. Since no one in the family will recognize Leinlein's lameness, every outing is a walk to Calvary at the end of which the child's feet are cut and bleeding; his elders' reaction is to abuse him for his weakness. Detail upon horrifying detail is piled with detachment and cold...

Author: /time Magazine | Title: Books: Child's Garden of Nightmares | 5/7/1965 | See Source »

Pistol-Packin' Mama. In the death scene, Stratas shed real tears and made her audience suffer with her as the strings surged upward to a great chord, punctured by Violetta's desperate cry: "Ah! gran' Dio! Morir si giovine [Ah, great God! To die so young]." After the performance, Teresa, smothered in flowers, wearing a green Florentine velvet gown, was seized by a hollow cough. "You see, Violetta is contagious," she said...

Author: /time Magazine | Title: Opera: Small Body, Big Voice | 4/9/1965 | See Source »

Teresa made her debut in her father's restaurant at four, singing Pistol-Packin' Mama. At 15, she was singing in Toronto dives. "If you learn to hold an audience of drunks who would rather be noisy, you can surely hold people at the Met who pay to hear you," she says. She saw her first opera at 16, when Renata Tebaldi sang La Bohème's Mimi in Toronto. At 20, she outsang 2,000 contestants to win the annual audition and a contract at the Metropolitan Opera...

Author: /time Magazine | Title: Opera: Small Body, Big Voice | 4/9/1965 | See Source »

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