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Maupiti is also very isolated. Only four other foreigners--a pair of Canadian college students and a German couple--came to the island the entire time we were there. We all stayed at Maupiti's only hotel, "Mama Roro's," which is run by a little old Tahitian woman called Mama Roro...

Author: By Maggie S. Tucker, | Title: Fa-a-a From Paradise | 3/5/1991 | See Source »

...shots for Oscar nominations, make for two splendid carnivores; they both have scintillating street wit and legs that go on for days. Cusack, as the would-be lion tamer, naturally gets devoured. And a swell sight it is too, a mother consuming her young, for the same reason a mama scorpion does: she's hungry. That's Jim Thompson's world, and now Hollywood is welcome...

Author: /time Magazine | Title: CINEMA | 2/11/1991 | See Source »

...racist casting." This kind of response to this kind of statement is understandable, even laudable. But Pachter never makes this accusation. He instead writes that the two Black, non-chorus players were given "degrading roles for Black actors to play." Actress Lenore Jones was given the role of Mama, whom Pachter calls "sick and lecherous," and actor Tym Tombar was given the role of Amos, whom Pachter calls "simple, subservient, and constantly humiliated by his white, adulterous wife...

Author: By Kelly A.E. Mason, | Title: Repercussions in Cross-casting | 11/30/1990 | See Source »

...while we're at it: What did the Mama Pajama see Julio and his friend doing down by the schoolyard? How come we can call you Al? And in this new song The Obvious Child, what is the cross doing in the ball park...

Author: /time Magazine | Title: PAUL SIMON: Songs of A Thinking Man | 11/12/1990 | See Source »

...unfortunately, both Amos and Mama are given degrading roles for Black actors to play. Mama is sick and lecherous, and while Jones does her best with an insulting part, the scenes in which she rubs her crotch and shakes her chest furiously in front of the audience are embarassing to watch. The role of Amos, though not written for a Black in the original production, becomes particularly offensive when presented as a minority character: Tombar is simple, subservient, and constantly humiliated by his white, adulterous wife...

Author: By Adam E. Pachter, | Title: Chicago's Razzle-dazzle Fizzles | 11/9/1990 | See Source »

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