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...decided early on that our greatest enemy would be the tendency to hide, to avoid being honest. If a gay show is a hit and doesn't make a statement, what's the point?" Says Herman, who also wrote the music and lyrics for Hello, Dolly! and Mame: "Writing for Albin was no harder than writing for Dolly. We just had to be true to character...

Author: /time Magazine | Title: Theater: Broadway Out Of the Closet | 8/29/1983 | See Source »

Died. Edward E. Tanner III, 55, who, under the pseudonym Patrick Dennis, wrote the 1955 bestseller Auntie Mame; of cancer; in Manhattan. Tanner was promotion manager for Foreign Affairs magazine when the eleventh publisher he tried agreed to print Mame, the zany tale of a rich young orphan and his eccentric aunt. It later became a play, a film and a Broadway musical. Tanner wrote twelve novels as Patrick Dennis and four as Virginia Rowans. "Writing isn't hard," he once said. "No harder than ditch digging...

Author: /time Magazine | Title: Milestones, Nov. 22, 1976 | 11/22/1976 | See Source »

...unsophisticated youth meets a glamorous, mysterious stranger, and Learns Something About Life. It is an endlessly employed formula that has generated such high and low art as The Great Gatsby and Auntie Mame. This first novel, The End of the Party, by Marvin Barrett, is yet another variation on the same theme. Here, the part of the glittering mentor is played by Dexter Hillyer, a Midwestern-born artist who rose to fame in the 1920s as a chic illustrator. Hillyer is seen through the few but vivid memories of his godson Emerson Mercer. The stages of his life are marked...

Author: /time Magazine | Title: Books: Notable | 10/25/1976 | See Source »

...American commercialism and the competitive ethic. When the slimy, selfindulgent M.C. introduces the six stereotypical contestants, all familiarly insipid, we remain anchored in the comfortable world of parody. With the song "An Atypical American Family," however, parody is replaced by a rude inversion of values; to the music of "Mame," a brother who pulls wings off flies and a sister who carries a onearmed doll confess their mutual hatred in starkly unfunny terms. A similarly violent mood underlies "The Hard Time," a sort of Blackboard Jungle in reverse, with the students--both hoodlums and teacher's pets--successfully defying...

Author: By Julia M. Klein, | Title: Bicentennial Folly | 3/1/1976 | See Source »

...think a Broadway audience wants, and we know what that is--that's Hello, Dolly, Irene--there's certainly a statute of limitations on those. There's got to be. And that kind of old-fashioned musical is not doing as well as it used to. I think if Mame opened today instead of six years ago it wouldn't succeed. I hope I'm right, because I don't like that kind of theater. Who said it all has to be "a pretty girl is like a melody"? That's why we did Follies, to say that...

Author: By James Ulmer, | Title: Hal Prince: All the World's a Musical | 12/2/1975 | See Source »

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