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...David Mamet's American Buffalo is a theater poser's dream play...

Author: By Marc D. Zelanko, | Title: Aimless American Buffalo | 3/25/1993 | See Source »

...Mamet intends to examine the pathetic underside of society, a stratum playwrights tend to ignore. In the process, however, he delivers a play that is as redundant and empty as their lives. Director Spiro Veloudos, whose sense for dialogue and dialect is keen, unfortunately fails to impact energy and drive to a script that requires much...

Author: By Marc D. Zelanko, | Title: Aimless American Buffalo | 3/25/1993 | See Source »

...Teach" (Anthony Ejarque) is the most dominating of the three. Teach's frenzied ravings (reminiscent of Seinfeld's Kramer) disturb the monotony of the play while expressing his overarching nihilism. Unlike Patrone, Ejarque's and Ritchell's performances are merely adequate, though the blame probably lies mostly with Mamet...

Author: By Marc D. Zelanko, | Title: Aimless American Buffalo | 3/25/1993 | See Source »

...Cliche goes, "Time is of the essence." In 1993, David Mamet's Glengarry Glen Ross seems particular untimely. Unless you have a particular fetish for the money and material hustle of the 1980s, this play will be little interest...

Author: By William TATE Dougherty, | Title: Glengarry Gets Old | 3/25/1993 | See Source »

...perhaps this, too, is a fault of the script. It's difficult imagining anyone these days being able to relate to Mamet's "greed is good" characters, except perhaps for those few lost souls frozen in September...

Author: By William TATE Dougherty, | Title: Glengarry Gets Old | 3/25/1993 | See Source »

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