Word: mamet
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People cluster in the darkened hallways--a public defender tries to get a pair of defendants to admit, an assistant D.A. confers with a prosecution witness. Speaking quickly, in legal jargon, they're making deals. They look and sound like fast-talking hustlers in a David Mamet play. But there's a difference. Many of the key players are women...
Although deeply personal, this work invites comparisons: with Tom Stoppard's The Real Thing, Michael Frayn's Benefactors and, above all, David Mamet's Speed-the-Plow, which is more animated and bitter in its glimpse of the film business but not as involving. Like Stoppard and Frayn but unlike Mamet, Williamson has the daring to write about artists who are actually artistic -- sincere and good at what they do. His fable ends ambiguously for all parties, but with a whiff of genuine tragedy. -- W.A.H...
LAST year, director Mark Prascak wanted to put on David Mamet's Glengarry Glenn Ross amid the trees in Currier's dining hall, but he ended up putting it on in Currier's nearby Fishbowl. This year, the trees are gone, but Prascak gets his wish, as the dining hall will be the site of his musical adaptation of three works: Eugene Ionesco's The Bald Soprano, Mozart's The Magic Flute and Shakespeare's Hamle...
THINGS CHANGE. Don Ameche is an aging artisan mistaken for a Mafia boss, and Joe Mantegna the gangland gofer who helps an old man come alive. David Mamet directed and co-wrote this beguiling men's club anecdote...
Like Gino, the movie could easily float on its charm, old-fashioned values and easy humor. But as a comedy, it lacks the Mamet bite. One would hardly have expected him to make a film that most grandmothers would love. But then, Things Change...