Word: mammothly
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From beginning to end, Wit is relentless in its presentation of the horrors of cancer. There is no intermission breaking the intensity of Dr. Bearing's two-hour performance. There is no avoiding her presence. Even the actual theater reinforces this feeling of intimacy. Standing beside the mammoth Wang Theater only reinforces the small size of the Wilbur, undoubtedly one of the smallest performance centers on Tremont. Thus from the moment Dr. Bearing takes the stage and greets the audience with the abrupt "How are you doing today?" we are drawn into her very personal experience...
Robert R. Porter '02, the man spearheading the Bush effort on campus, tied the mammoth sign to the roof of his friend's car to bring it back from a New Hampshire rally to campus...
...virtue of being as close to exhaustive about its subject as one could hope. There is little psychological interpretation that Schama leaves undone, and little consequential biographical detail that he leaves unmentioned. _Rembrandt's Eyes_ will be a definitive work on the painter and his work, a mammoth book that takes on with grace the equally mammoth task of explaining what is behind the brooding eyes of Rembrandt's portraits...
Despite a mammoth war chest and an (albeit fading) air of invincibility, George W. Bush still understands the famous Tip O'Neill edict: "All politics is local." In Dubya's case, as local as your PC. On Monday, the Bush camp announced that it will be targeting web sites likely to be used by GOP primary voters in Iowa and New Hampshire, and in the coming weeks will festoon them with banner ads. GOP rival John McCain previously experimented with banners, but not at the same level of marketing sophistication - Bush's people cross-referenced lists of registered Republican...
...this struggle for the soul of American art is mapped in all its fitful chaos in the Whitney Museum's mammoth, frenetic show, "The American Century: Art and Culture 1950-2000," part two of a yearlong survey, on view through Feb. 13. The first installment of the retrospective, covering 1900 to 1950, was all about American artists striving to find their identity in the shadow of European masters--and finally making the leap with the figure-breaking canvases of Pollock. The sequel shows the rampantly imaginative shattering of that identity from Pollock onward, shuttling at high speed between the spiritually...