Word: mamoru
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Dates: during 2000-2009
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GHOST IN THE SHELL. The classic anime, directed by Mamoru Oshii (Patlabor, Beautiful Dreamer), tells the story of a super hacker—the Puppet Master—who is loose in cyberspace. The “ghost” is pursued through a futuristic metropolis by the cyborg cops of Section 9. Meanwhile, Major Motoko Kusanagi searches for her own humanity within her robotic body. Based on Masamune Shirow’s original manga, the anime is a must-see for Matrix fans—it served as direct inspiration for the Wachowski brothers. Ghost in the Shell screens...
...great contrast to the price of an African life, the life of an executive at the Sanyo Corporation is worth $2 million. In August 1996, according to CNN, kidnappers in Tijuana, Mexico, released Mamoru Konno after his company paid the $2 million ransom they were demanding. In other words, his life is worth as much money as 10,000 African lives. When lives are put in stark terms of cash value—one life the victim of extortionists and the other the victim of cruel circumstance—the disparity in “value” is shockingly...
...face and name to someone, we feel compassion and the urge to help. But I’ve got names: Richard Mubweka, Mildred Bwire Auma, Hanneac Mkwapada and Fela Kuti, all victims of an early death from AIDS, all as valuable to their families as Mamoru Konno. Surely, their families would have paid $2 million to save them, if they had been able to afford...
...Taro Aso and Taku Yamasaki vowed to intervene. While Koizumi briefed the emperor at the Imperial Palace that evening, the three leaders and other LDP bosses confronted Takenaka behind closed doors in the Diet building. Takenaka left the meeting looking visibly pale. "This was poor leadership from Koizumi," says Mamoru Yamazaki, chief economist at Barclays Capital Management. "Takenaka was accused by the leading politicians of the Diet, and the Prime Minister wasn't protecting him." That evening, Takenaka said the publication of his plan was postponed till the end of October, though he later insisted that he wouldn't temper...
...return of the stone sculptures was cause for celebration: Mamoru Kusaka, the Japanese businessman who owned them, had decided they rightfully belonged in Korea. But Koreans are acutely aware of how much of their cultural patrimony remains in exile. From the late 19th century until Japan's defeat in World War II, Japanese colonial officials and private collectors amassed at least 100,000 artifacts and cultural treasures from all corners of the Korean peninsula. Japanese looters and government-sponsored archaeologists violated the tombs of Korea's Kings and Queens, plundering finely worked gold jewelry, jade pendants and delicate celadon bowls...