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Hitchcock's Torn Curtain today at 7:30; Rouben Mamoulian's Love Me Tonight Sunday...

Author: By Peter Kaplan and Jonathan Zeitlin, S | Title: Film | 5/6/1976 | See Source »

...there were a few directors who saw the new dimension to pictures as something more than just a way to hear subtitles. The great pioneer who weaved sound and image together was the legendary Ernst Lubitsch. Not so legendary now, but quite the early virtuoso was Rouben Mamoulian. Mamoulian seemed to be experimenting constantly. His most accepted successes were on the stage (he directed the original stage version of "Porgy and Bess" for example) but his pictures exude a creative excitement that seems to say to the pedestrian studio craftsman, "Well boys, here's a little trick you might pick...

Author: By Peter Kaplan and Jonathan Zeitlin, S | Title: Film | 5/6/1976 | See Source »

...Norman Mailer, yet every year small ??? film journals surface with long exegeses of ??? or Hawks, or critical re??? evaluations of Allan D.?wn's Sands of ??? Jimd. Incredible as it may seem, new books are on the stands about such ??? as John Franken heimer ( Grand Prix ) and Rouben Mamoulian ( The Mark of Zorro ), men whose stature stands in direct relation to that of ??ving Wallace or Ricky Nelson, Sadly, the conventions of film-making which these critics ??? to are still governed by an aesthetic derived from ??? ??? novels and plays: dramatic sense pacing ??? ??? and clear cut chronologies are among the touchstones...

Author: By Joel Haycock, | Title: The Moviegoer Herostratus at the Orson Welles, starting tomorrow | 2/24/1970 | See Source »

Never Steal Anything Small (Universal-International) was first conceived by Playwright Maxwell Anderson and Director Rouben Mamoulian, back in 1953, as a Broadway musical drama-a sort of Guys and Dolls with a social message. The message: If Robin were alive today, he would be a labor leader, and even if he gave to the poor what he stole from the rich, he would still be damned for a Hood. What with the conservative temper of the times, and a series of union scandals, the authors could never quite raise the money fof a Broadway production-a difficulty that...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 9, 1959 | 3/9/1959 | See Source »

...Brando? Meanwhile, the Bird is busy with his other charges. Hollywood recognized his belligerent direction behind Director Rouben Mamoulian's recent spat with Sam Goldwyn. (Even Mamoulian does not seem to mind that the publicity-reaping battle cost him the job of directing Porgy and Bess.) And not long ago, Birdwell sold gullible movie columnists the phony yarn that Greta Garbo had expressed an interest in the movie version of Lolita. Director Stanley Kubrick, who is Birdwell's client, is supposed to have ruled Garbo out of Lolita but offered her the part of Marlon Brando...

Author: /time Magazine | Title: Show Business: Rally Round the Flack, Boys | 11/17/1958 | See Source »

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