Word: manã
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...stand out. Redman and Gorrilaz put forth “Gorillaz On My Mind,” a playful track melding ape noises, Damon Albarn’s self-mocking “La-la-la-la”s off Blur’s “Charmless Man?? and Redman’s charming lyrics like “Full of whiskey/ Looking for Lewinsky/ So I can get head.” Ever-captivating spastic Busta Rhymes joins Silkk the Shocker and a catchy bass riff courtesy of the Dub Pistols...
...with this man??this terrorist, let us be blunt—that Israel is being asked to negotiate. There is, after all, no one else to negotiate with. But how can peace come with a man who sends his people out to die with fertilizer strapped to their bellies and dreams of glory dancing in their heads? How can peace come with a leader who seems to believe in peace only tactically, as a temporary respite from the struggle to achieve not only a sovereign Palestine, but the end of a sovereign Israel...
...insidious music aside, Sweet Smell remains an often entrancing depiction of a man??s descent into indulgent luxury and moral bankruptcy. A number of remarkable scenes have been constructed, including a chilling midnight meeting between J.J. and Sidney at St. Patrick’s Cathedral that reveals the terrifyingly fierce will of the famed gossip columnist...
...most compelling print. It depicts another street corner, where the camera looks obliquely down a long city street. The image is divided vertically by another grey lamp post; on its right, a pretzel vendor plies his trade while on the left in the foreground a balding, mousy looking man??s face is half-obscured by an enormous brown paper bag. Far in the deep background, yet clearly visible, are the two towers of the World Trade Center. This exhibit was assembled in the wake of Sept. 11, so it cannot but be for conscious choice. Amazingly, Levitt reverses...
...print, we would like to divine exactly what is going on inside the head of the drinks vendor who sits on his haunches and stares blankly across the street, and Levitt compels us to imagine the appearance of the unseen woman—or man??whose snow cone-holding hand is all that appears. The print depicts foreground and background people half obscured by a lamp post and a telephone booth, and so, as we wonder, we also revel in the ingenious spontaneity of seemingly unconscious compositions...