Word: manã
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...stuff that folks are putting in their coffee?” Ruhs added. And many students said they are not about to ween themselves off the beverage. Julian K. Arni ’10, a self-proclaimed coffee junkie, said that he is a “very happy man?? now that “they have found that alcohol and chocolate are good for your heart, and that coffee doesn’t increase the risk of heart disease.” Elizabeth G. Shields ’10, who drinks about two cups of coffee every...
What’s more, nowhere in the commercial did Snickers depict two gay men kissing, only to be subsequent victims to a straight man??s homophobic rage. In fact, in their misguided (though hilarious) attempt to erase a chocolate-caramel-peanut-inspired lip-lock, two straight men became victims of their own homophobic rage. If that is not a clever way to suggest that homophobia is counterproductive and pointless, I’m not sure what...
...appropriate one. As the films at the HFA demonstrate, the cultural anxieties of the Cold War did not confine themselves to a single genre. The semi-documentary “Panic in the Streets” (Elia Kazan, 1950), the noir masterpiece “The Third Man?? (Carol Reed, 1949), and the low-budget sci-fi romp “Rocketship X-M” (Kurt Neumann, 1950), are equally suffused with dread, uncertainty, and black humor...
...seem arbitrary and perfunctory, ending before they begin. There is little sense of place or vivid evocation of experience, and Munro’s attempts to imaginatively create an inner life for her characters seem flat. There is mention of a brother’s friendship with a rich man??s ailing young daughter aboard the ship, and of a son’s bitter grief over his father’s death, but partly because there are so many characters—brothers, sisters, cousins, in-laws—none of these imagined glimpses into their lives...
...reality, beauty, and monstrosity, allowing normally pretty objects to become eerie and grotesque—but no less enchanting. In this hybrid world, a young girl named Ofelia (Ivana Baquero) encounters fairies disguised as giant stick bugs, a mysterious Faun (Doug Jones), something called the “Pale Man?? (Doug Jones)—a child-eating monster with eye-sockets in his hands—and, most terrifying of all, a fascist, sadistic stepfather named Capitán Vidal (Sergi López). All aspects of production in this adult fable are expertly done, especially...