Word: man
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Dates: during 1930-1939
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Boss of the boys that moved in that night (carrying canvas signs: CHRYSLER CORPORATION, DODGE DIVISION) was the husky, jut-jawed Chrysler general manager whom Walter Chrysler described to his biographer, Boyden Sparkes, as "a great production man." That night at Detroit "K. T." had stayed close to the phone and when Walter Chrysler called from New York ("We've bought the Dodge-put up your signs") he knew what to do. Within a year he was president of Dodge and his brilliant production methods, stemming from the machine-shop where he had worked as a horny-handed mechanic...
...machinist by trade," Keller says today and many a Chrysler man has seen him prove it. So far as Walter Chrysler was concerned, he had proved he was much more than a good lathe-hand as far back as 1916 when President Chrysler of Buick (who had seen Keller's work in the General Motors shops) hired him as Buick's master mechanic...
...progress was all up the hill. Shortly after Chrysler left General Motors, "K. T." became executive vice-president of Chevrolet but when Chrysler hired him for Chrysler Corp.'s general manager in 1926 he was glad to chuck his job and go to work for the man he admired most in the motor business. And when Walter Chrysler stepped out of the presidency of his company four years ago he had only one candidate for the job: serious, barrel-chested Dodge President K. T. Keller. For Keller had shown more than production genius and executive ability in the crowded...
...Armour & Co. Last week two big newspapers, the New York Times and the Chicago Tribune, carried a story about Financier Prince: that in view of his approaching (Nov. 24) 80th birthday, he would not stand for reelection to the chairmanship of Armour. The explanation given, that a younger man would be able to devote more time to the company's management, was plausible enough, since Prince has scarcely set foot in the U. S. in a twelvemonth...
Intermezzo (Selznick-lnternational) is a pleasant, leisurely filming of an off-key love episode in the life of a middle-aged man with a middle-aging wife (Edna Best). In Hollywood's current concern with musicians, it plays a thin, modest, molto andante treble to such thumping pictures as They Shall Have Music (Jascha Heifetz), The Star Maker (Walter Dam-rosch). Rare top notes are contributed by Ingrid Bergman, Sweden's leading cinemactress, whose grave good looks, lit by a big-mouthed smile, make her one of the most promising Scandinavian exports since Garbo...