Word: man
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Dates: during 1990-1999
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...care of her nanny Shanta (Nandita Das). Shanta is a beautiful young Hindu woman who attracts suitors from all three religious backgrounds: Hindu, Sikh and Muslim. The two suitors that Shanta most favors with her attention are both Muslim: the charismatic yet somewhat roguish Dil Navaz or "Ice Candy Man" (Aamir Khan) and the kind, gentle Hasan (Rahul Khanna), Lenny's hero...
...divide along religious lines as news of genocidal bloodshed trickles in from the surrounding areas. As Lahore itself begins the tumultuous transition from a former Indian city to its current status as the capitol of Pakistan, a variety of the characters' dispositions also change. The transformation of "Ice Candy Man" is the most dramatic, as he goes from being the reasonable peacemaker among the group to the most extreme example of religious hatred. Shanta falls in love with Hasan, much to the chagrin of the "Ice Candy Man", but their relationship appears almost inconsequential after the figurative and literal arrival...
...film's intention for using a child's perspective manifests itself most clearly when Lenny innocently asks the "Ice Candy Man" if he saw his two sisters, who were on the train, in one of the sacks. In another scene, Lenny sees the Muslim refugees camped next door and asks her cousin who they are. Irritated that her cousin will not explain what he means by "fallen women" and "rape," she questions a young boy. The boy describes how he hid under dead bodies until the massacre of his village was complete and then went to search for his mother...
...inappropriate moments and a sneer of a voice which sounds more like somebody choking than talking. You can imagine this movie being born out of a stoned conversation about the weirdness of John Malkovich's success, and the weirdness of being him. Whoa: that could be a movie, man...
...same people who say "Hey, Jesus!" to Fowler when they see him around campus). The fact of the matter is that the Jesus of Jesus Christ Superstar is no walk-on-water, parable-loving "other." In Sir Lloyd Weber's version of the Passion, Jesus is a man--not da man, not the Son of Man, just a normal man who is fighting against his own Superstardom to get a very simple message across...