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Director Werner Herzog - the man behind the Oscar-nominated Antarctica documentary Encounters at the End of the World - has cultivated a loyal band of admirers over the span of five decades behind the camera. Perhaps the single most striking image of his career is that of a steamboat being pushed and pulled through a dense Peruvian jungle, from his 1982 epic, Fitzcarraldo - a physical feat that was filmed on location without the aid of special effects. It was a virtuoso climax to an all-but-impossible film shoot - a two-year journey into the jungle that found Herzog drained...
...return, America's crazy attempt at a moon landing (1969) and the grand strategy of the USSR (which dissolved in 1989). The pair's personal favorite, though, is Dee Snyder's Teenage Survival Guide, a book by the lead singer of the '80s metal band Twisted Sister - a man whose qualifications to guide teenagers through their formative years are dubious...
Canada geese shouldn't be present in such numbers - and they nearly weren't. Thanks to overhunting and habitat loss, their numbers were dangerously low by the 1950s. But better environmental laws helped reverse the decline, and the geese learned to adapt to and eventually thrive in man-made environments. Ponds in public parks, people to feed them, nicely mowed yards and golf courses - Canada geese found a home in America's expanding suburbs, even in such hot spots as Arizona, Florida and South Carolina...
...illuminating piece on the dynamic launch of the Roosevelt Administration. Cohen is the author of Nothing to Fear, an account of F.D.R.'s first 100 days. To get a free-marketeer's dissenting take on F.D.R.'s policies, we turned to Amity Shlaes, whose recent book The Forgotten Man argues that the New Deal not only failed to reverse the Great Depression but in some ways worsened it. TIME contributor Peter Beinart, a senior fellow at the Council on Foreign Relations, looks at how Roosevelt understood that he could not lead Americans into war until they understood that their vital...
...banks. John Dillinger chose Way 3, and for a while he enjoyed the celebrity of a Clark Gable or a Lou Gehrig. Newspapers breathlessly limned his exploits as he made sizable withdrawals from vaults throughout the Midwest, using his machine gun as collateral. But killing cops puts a man at greater risk than hitting a homer or kissing the girl. Dillinger stirred the hunter's blood in J. Edgar Hoover, the young director of the FBI, and Hoover's most resourceful agent, Melvin Purvis. They, and Dillinger too, knew that a life of crime was not a profession from which...