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Word: mancha (lookup in dictionary) (lookup stats)
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...Mancha, which did run for five years (more or less) is still playing at the Music Hall -- but not for much longer. Its imminent departure may make getting tickets the impossible dream, but make the effort anyway, taking the chance that Richard Kiley will recover from his backstage accident a few nights ago to recreate the role of his career. Unless you thought he was better in Looking for Mr. Goodbar, in which he didn't even sing. Call 482-0406 for reservations...

Author: By Troy Segal, | Title: Head for the Hub | 9/28/1978 | See Source »

...mouth. Felled by a heartattack, or possibly a stroke, Davis ends the evening singing that potent crowd- pleaser, What Kind of Fool Am I?, the song that probably contributed as much to the initial success of Stop the World as The Impossible Dream did to Man of La Mancha. Fool, Gonna Build a Mountain and Once in a Lifetime are the consolation prizes of an extremely tedious evening. The audience seems almost to come into the theater humming them. T.E.Kalem

Author: /time Magazine | Title: Theater: Life's Clown | 8/14/1978 | See Source »

Decline and Fall of the Entire World...--the Cole Porter revue of the ages. At the Charles Playhouse III, Warrenton St., Boston, Friday at 8, 10, Saturday at 7, 9:30, Sunday at 3, 7:30. Man of La Mancha--Broadway, 1965, recreated before your very eyes, complete with Ricahrd Kiley, at the Music Hall...

Author: NO WRITER ATTRIBUTED | Title: STAGE | 8/11/1978 | See Source »

Okay, so the offerings aren't new. You can go see Richard Kiley dragging poor Don Quixote out of the closet one more time in Man of La Mancha, which will be at the Music Hall. He was great in 1966, and the play really is a winner--if you've never seen it before. But remember, you'll have to fork out $6.50 just to get in, and the good seats go for an unbelievable $22.50. And Kiley doesn't do the Saturday matinee...

Author: NO WRITER ATTRIBUTED | Title: STAGE | 8/4/1978 | See Source »

...snapping fan into an épée to prod this fopling across the stage and out of her sight. Her face flares in coquettish outrage at brash Basil's proffered kisses; she singes and melts at the same time. When she is onstage with the demented man of La Mancha, the tart señorita turns spindrift. She not only sees his visions but sees around them. Her poignant movements tell everyone watching what she knows: she is the earthly incarnation of the Don's beloved Dulcinea and how sad that life and visions cannot meet. Gelsey is, in short...

Author: /time Magazine | Title: Dance: U.S. Ballet Soars | 5/1/1978 | See Source »

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