Word: mandelbaum
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John H. Mahan, Biochemical Sciences; Burton G. Malkiel, Economics; M. Joel Mandelbaum, Music; James W. Mason, English; Ralph N. Maud, English; Paul T. McElroy, Physics; Abbott R. Miller, Chemistry; Bruce H. Morgan, Physics; Ivan Nabokoff, English; John R. O'Brien, Government; Roger S. Peterson, Biology; Stephen R. Petschek, History and Literature; Glen A. Rebka, Jr., Physics; Walter R. Reitman, Slavic Languages and Literatures; Richard L. Renfield, Slavic Languages and Literatures; Rodman D. Rhodes, English; Robert Rosenman, Government...
...produced a series of diversified, well-calculated effects ranging from desolation to jaunty self-confidence. And a little ditty by Christian Wolff, For Piano II, was notable for its extremely disjointed phrases, its bare, unornamented texture, and its utilization of the piano's percussive sonorities. On Monday night, Joel Mandelbaum's Piano Concerto in A received its premiere performance. Mandelbaum conducted the Harvard-Radcliffe Orchestra, and Ann Besser, to whom the work was dedicated, was soloist. Its sonata form in the first movement and its frequent reduction of the piano to orchestra, place it more or less in the classical...
...Hoffman will then accompany Dorothy Barnhouse '53, contralto, in three songs by Debussy. Milford's Sonata for Flute and Piano, will be played by Neville H. Fletcher 1G, flutist, and John Davison 2G, pianist. The program will conclude with a Movement from a Concerto in A Minor by Joel Mandelbaum '53, played on two pianos by the composer and Ann Besser...
Unfortunately Galassi's direction is not so effective as his script. Too many of the scenes are taken from obvious angles; and in some cases he strains to bring guffaws from incidents worth only a smile. Supplementing Galassi's script is the music of M. Joel Mandelbaum which never hampers, but seldom helps the action on the screen...
...unique feature of the audition was the premiere of two movements from a piano concerto composed by Joel Mandelbaum for the soloist, Ann Besser. The concerto is written in the same key (A) as two others performed on the program, the Liszt and the Schuman. And though Mr. Mandelbaum does not wholly shun the contemporary idiom, in spirit his work is much like those two showpieces of the Romantic era. Miss Besser's performance, by its technical perfection as well as its penetration of the music showed the work off to excellent advantage...