Word: mandolinists
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...Compass Records—a record label that specializes in part in bluegrass music—will join scholars to discuss the roots of the genre. The day will culminate with an evening performance by Clint W. Miller ’11, Brown, legendary bluegrass fiddler Bobby Hicks, and mandolinist Sam Bush—who is credited with the invention of the “Newgrass” style...
...original version of the arts article "Bluegrass Educates with Sound of Music" called Sam Bush a bluegrass fiddler and Bobby Hicks a mandolinist. In fact, Hicks is the fiddler, and Bush the mandolinist...
...program through the Office of the Arts—is dedicated to bringing guest musicians to Harvard for performances and workshops. In the two years since it was formed, the group has arranged visits from violinist and composer Mark O’Connor, banjo virtuoso Béla Fleck, mandolinist Mark Thile, and recently, the world-renowned bassist Edgar Meyer. Not only are these guests masters of their respective instruments, they are also known for their extraordinary ability to cross genres and styles in a way that HCAMA seeks to emulate. “I don’t know...
Thile, the one-time teenage wunderkind mandolinist and current driving force behind progressive pop-newgrass group Nickel Creek, is almost certainly the most virtuosic mandolinist in the entire modern American roots scene, earning comparisons to David Grisman and other similarly luminary pickers. Especially on Not All Who Wander Are Lost, Thile’s 2001 solo album made with the help of such respected musicians as Bela Fleck and Jerry Douglas, listeners were captivated by the mesmeric and natural quality of the tracks. However, Thile’s greatest strength—his mandolin chops—are far less...
...anyone was qualified for the job of assembling a Bill Monroe tribute, it was Ricky Skaggs. A virtuoso mandolinist and multi-instrumentalist who was playing with Ralph Stanley by the age of 16, Skaggs shared the stage with Monroe when still a child, and has been delivering on that promise ever since. For "Big Mon," Skaggs has reached well beyond the predictable bluegrass circles, and the success of the enterprise is a testament to the unassailable quality of Monroe's craft as much as the contributions of the individual performers...