Word: mandolins
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...referring to her own debilitating obsession with a man that has “love in his heart” for his own wife and daughter. However, as the music swells to production levels more typical of Rilo Kiley than Williams—bringing in a violin, mandolin, and soaring choral vocal backups—Wainwright declares, “My heart was made for bleeding all over you / I know you’re married but I’ve got feelings, too / And I still love you” with honest hurt and determined strength. Wainwright doesn?...
Best known for the romantic World War II epic Captain Corelli's Mandolin, which has sold more than 3 million copies in the U.K. alone, De Bernières in A Partisan's Daughter departs from what he describes as his usual "complicated, Latinate" writing style. He allows Roza and Chris to alternate in telling their stories, using their own raw and candid language. As a result, the novel reads like a memoir, which is fitting since De Bernières says Roza is the literary incarnation of a Serbian housemate he lived with in the late '70s. "When...
...ringing. Though songs from “Distortion,” the band’s newest album, are covered in layers of shoegaze distortion, feedback, and electronic effects, the live performance was entirely acoustic, consisting of piano, guitar, cello, and bouzouki (an eight-stringed instrument similar to a mandolin). Adapting the new songs to this format consisted mostly of removing drums and guitars to expose the melodies underneath. Merritt’s latest lyrics emerged from the layers of guitar noise to reveal a sincerity and intimacy unheard since “69 Love Songs.” Compared...
...dark and brooding where the other is light, could be interpreted as an ominous acknowledgment of Beckmann’s own fears—a label points out the hint of a swastika in a bent tree’s branches. “Woman with Mandolin in Yellow and Red” (1950), painted in the year of his death, is a bright, bare-breasted swan song. The 40s are represented by a painting from the Busch-Reisinger’s own collection, which rounds out an engaging quartet. Fogg Art Museum Kara Walker: Harper’s Pictorial...
...just keep going, and I didn't have to teach anybody the part or talk them into the idea, the theory, the soul of whatever the piece was. I'd just sit in the chair, and they'd hand me a fretless bass, and they'd hand me a mandolin, and they'd take a second to do the rough mix, and then I'd write the vocal, and it was just quick. It was as in the moment as you could be, and in that way it's like a great feeling of being alive. You'd hear...