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...some 170 paintings, prints and drawings by Henri de Toulouse-Lautrec, after an earlier run at London's Hayward Gallery, rounds off the great series of overviews of 19th century French artists given us by French, American and English museums over the past 15 years. Every one of these -- Manet, Courbet, Cezanne, Seurat, Monet, even the disappointing Renoir -- has altered the way one thinks about the achievements of French art and deeply revised one's view of the individual painters. The Toulouse-Lautrec show, curated by an English art historian, Richard Thomson, and two French ones, Claire Freches-Thory...

Author: /time Magazine | Title: Art: Cutting Through The Myth | 3/9/1992 | See Source »

...March 18, 1990, two thieves disguised as policemen entered Boston's Isabella Stewart Gardner Museum, trussed up two guards and made off with a king's ransom: three Rembrandts, five paintings by Degas, one Manet and one of only 36 known Vermeers in existence. The Vermeer canvas was hacked from its stretcher, leaving chips of paint on the floor. At an estimated total value of $200 million, it may have been the most lucrative art theft in history...

Author: /time Magazine | Title: Art: It's A Steal | 11/25/1991 | See Source »

...make some kind of case for that excellent California painter Wayne Thiebaud as a Pop artist because he painted hot dogs and angel-food cakes; but artists have always put the food of their time in their still lifes, whether a jamon serrano by Velazquez or a baguette by Manet, and with Thiebaud the formal qualities of the paint now seem far more engaging than its reference to serial production...

Author: /time Magazine | Title: Art: Wallowing in The Mass Media Sea | 10/28/1991 | See Source »

...mainly in New York City and Washington, has been treated to one of the historic events in the life of the modern museum: the collaboration between U.S. institutions and the Reunion des Musees Nationaux on a series of retrospectives of the great French artists of the 19th century. Edouard Manet in 1983; Vincent van Gogh in 1984 and 1986; Paul Gauguin, Gustave Courbet and Edgar Degas in 1988; Claude Monet in 1990 -- all these, done at the highest pitch of curatorial skill, have redefined the School of Paris...

Author: /time Magazine | Title: Art: Against The Cult of the Moment | 9/23/1991 | See Source »

PLEASURES OF PARIS FROM DAUMIER TO PICASSO, Museum of Fine Arts, Boston. Paris in the late 19th century was a Mecca of entertainment, from cafes and cabarets to ballet, opera and theater. This exhibition captures that effervescent era in paintings, prints and drawings by such artists as Manet, Degas, Toulouse- Lautrec and Cassatt. Through Sept...

Author: /time Magazine | Title: Critics' Voices: Jun. 24, 1991 | 6/24/1991 | See Source »

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