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Friedrich, whose 12th book, a portrait of Paris in the time of the artist Edouard Manet, will be published next spring, found that TIME's traditional blend of detail and analysis served him well on Desert Storm. "I edited the book much the same way I have edited at TIME," he says. "There's a different time frame, and the chapters are longer than a TIME article, but the essential spirit of the thing is the same: the attitude of reasonably objective observers describing what we have seen or learned." And, we might add, enjoying the luxury of sufficient time...

Author: /time Magazine | Title: From The Publisher: Jun. 3, 1991 | 6/3/1991 | See Source »

...reinforced by legacies from Stephen Clark, Sam Lewisohn and Robert Lehman. Annenberg's paintings include several Cezannes, most conspicuously the great 1902-06 panorama of Mont Sainte-Victoire, so different from the Met's more constricted version of the same subject. The collection includes works by Gauguin, Monet, Manet, Toulouse-Lautrec and Bonnard, and a group of Monets from the 1870s -- a phase of the master's work not well represented at the Met until...

Author: /time Magazine | Title: ART: The Gift of A Lifetime | 3/25/1991 | See Source »

...Benedetto Varchi; the saurian cunning of old Pope Paul III, huddled in his velvet cape; and the inflexible determination of the military commander Francesco Maria della Rovere, whose carapace of bombshell-black armor is painted with a freedom and virtuosity that looks forward to Velazquez and, beyond him, to Manet -- to scan these portraits is to realize what an appetite for human character Titian had, and what a gallery of it he created...

Author: /time Magazine | Title: Art: An Appetite for Human Character | 9/17/1990 | See Source »

...Stael's paint always betokens light, even -- perhaps especially -- when, like Braque's, it is black. It shows its descent from the noble directness of touch in Manet. And there is a vast appetite for the world in it. One could wish that this show had included a few more of the paintings De Stael did of soccer players -- heraldic yet energetic blocks of primary color, moving on the floodlit field of the Parc des Princes outside Paris -- for they are the summa of his love of the physical. "On grass that is either red or blue," he wrote...

Author: /time Magazine | Title: Art: A Lyrical Colorist Rediscovered | 7/23/1990 | See Source »

...tsubame (swallow) did not make this spring. Twelve of the 70 works in the Sotheby's sale failed to reach their reserves and went unsold. On the night of the Van Gogh sale at Christie's, a Manet, The Bench, made only $16.5 million -- not chickenfeed, but still a disappointment considering Christie's presale estimate of $20 million to $25 million. In addition, an exceptional 1925 Mondrian made $8.8 million; Christie's estimate had been $12 million to $16 million...

Author: /time Magazine | Title: Art: Bumps in The Auction Boom | 5/28/1990 | See Source »

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