Word: manet
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...Without a doubt, the past 15 years in America have been the golden age of the museum retrospective, bringing a series of great and (for this generation of museums and their public) definitive exhibitions, done at the highest pitch of scholarship and curatorial skill: late and early Cezanne, Picasso, Manet, Van Gogh, Monet, Degas, Watteau, Velazquez, Poussin, up to MOMA's current show of Picasso's and Braque's Cubist years and, perhaps, Seurat to come...
...never been seen as anything but the summit of excellence in art, embodying a degree of intelligence, pictorial skill and lucidity of realization that defy not only imitation but, in some final way, analysis itself. He is to realism what Piero della Francesca is to abstraction. First Edouard Manet and then a whole succession of French painters from the 19th century into the 20th (not to mention English and American ones as well, in particular Sargent and Whistler) were transfixed by Velazquez when they found him on their pilgrimages to the Prado. Francis Bacon contorted Innocent X into...
...left hand of his monarch Philip IV rests, lightly but not quite negligently, on the hilt of his sword. There is nothing he cannot draw, though no drawings by Velazquez survive. That, however, is part of his fascination to eyes conditioned by the spontaneity of painting since Manet, for now that Velazquez's paint has aged, one sees the radical shifts and erasures of form below the unperturbed surface. There is no texture he cannot paint, from the massive chains of silver embroidery that anchor a Bourbon Queen's black dress to the bottom of the canvas, their slightly tarnished...
This includes Western art history and aspects of Japan's own cultural past. Osaka native Yasumasa Morimura, for example, places himself as the main character in carefully staged and photographed "reproductions" of well-known Western paintings like Manet's Olympia. Tomiaki Yamamoto melds brushy abstract expressionism with the pattern-oriented design sensibility of traditional Japanese textiles. Often his splashy tableaux resemble spread-out kimonos. Typically, as in Untitled, 1985, they are covered with an obsessive, all-over rash of heavily impastoed, drippy dots. Far less theatrical but also keenly focused on subject matter and technique, sculptor Katsura Funakoshi creates blank...
...appearance among swipes of black and reddish-brown on the bare canvas ground, seems to reflect Winslow Homer's The Fox Hunt. Among the later paintings are versions of a Titian portrait, of a Flight into Egypt by Jacopo Bassano, and of a Manet still life: For E.M., 1981, in which the colors and placing of fish, copper pot and black wall remain as gleams and traces after the objects themselves have gone...