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...Most astonishing -- and somewhat disconcerting -- is the bizarre variety of styles. The exhibition leaves the impression of an artist of superb talents who because he never found a consistent style has been immensely difficult to appreciate. The early influences are the ones expected for the time: Corot and Manet in particular. The diversity is present right away in Hodler's work, and so is the excellence. The Angry One, a self-portrait of 1881, demonstrates a fully mastered technique and skillful if clearly derived composition...

Author: By Phil Patton, | Title: Rediscovery | 5/9/1973 | See Source »

...when, crippled by arthritis but still painting with brushes strapped to his ruined claws, he died. At one end there are early works like The Clown, 1868, with the precociously firm, sharp structure of figure and field that the 27-year-old painter had learned from Manet. At the other, one finds the semiclassical and flowery kitsch of Alexander Thurneyssen as a Shepherd, 1911. In between there are girls, girls, girls...

Author: /time Magazine | Title: Art: Arcadia Reconstituted | 2/5/1973 | See Source »

Inflated Blues. Picasso's immature work has benefited greatly from hindsight and feedback. The slides flick, the familiar images succeed one another-the young painter chewing his way through Toulouse-Lautrec, Manet, Gauguin, Munch, Steinlen and a host of other influences that crowded upon him in Barcelona and, after 1900, in Paris. There is no consolidated style in Picasso's career until, aged 21, he starts moving into the Blue and Pink periods...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...paradoxes that infest his life, he cannot focus it in any significant way. Picasso's reign over his images is such that no resistances are left-and that is his problem. Most of Picasso's variations on Velásquez's Las Meninas, Manet...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...French to be slighted when it comes to printmaking. Nicolas Poussin, Edouard Manet, and Ingres point out the diversity of techniques within any nation of artists. Ingres, a noted draftsman, excels even the Dutch in precision of detail. Poussin still tells classic and mythological narratives (The Infant Bacchus Entrusted to the Nymphs), but Manet, one of the fathers of Impressionism concerned with the science of how the eye saw, sketches a woman, flattened, on photographic paper, perhaps borrowed from the great French photographer of the time, Nadar, whose studio housed the first Salon des Impressionistes...

Author: By Meredith A. Palmer, | Title: Three for the Show | 10/9/1971 | See Source »

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