Word: manet
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...rung, she retorts: "It's about time." Told that The Three Sisters will be a model for aspiring actresses, she snaps: "It should be." Asked to compare her acting with Cornell's and Anderson's, she counters: "Do you say that Renoir is two inches behind Manet, or Degas a foot ahead?" She snarls at Nature: "I don't care if a flower grows upside down or inside out, I don't even care if it grows." She smacks down California: "It reminds me of a Shubert production." Unlike Actress Cornell, who has never made...
...tabulated their reactions, the Institute solemnly announced that—Chicago students like the streamlined deminudes of U.S. Magazine Artist George Petty. After Esquire's Petty, students coolly chose (in order of preference): Michelangelo, Leonardo da Vinci, George Innes, Claude Monet, Doris Lee, Winslow Homer' Jules Breton, Caravaggio, Renoir, Manet,' John Singer Sargent, Vincent van Gogh. Art Institute Director Daniel Catton Rich blanched not a whit. Said he: "It was perfectly natural. The students like pretty girls and they like slick technique. I look at Petty myself whenever I get the chance...
...inspiration to the freshness of Botticelli, Mantegna and other predecessors of Raphael. In art they left nothing rugged, but they did succeed in rolling up a mighty snowball of Raphael-belittlement. Even Academicians like John Ruskin agreed that Raphael's Madonnas bore no resemblance to the Jewish Mary. Manet said crudely: "Raphael turns my stomach." In the 20th Century Stark Young, standing in the solemn little chapel in the Dresden Museum before Raphael's Sistine Madonna, could say only: ". . . Fundamentally dull. ... In color it is stupid. . . . The cherubim faces are downright ugly, the infant Jesus equally...
...Baltimore Museum by the No. 1 Cassatt expert, Adelyn Dohme Breeskin, the show contained 156 of Mary Cassatt's finest oils, pastels, dry points, color prints and drawings, surrounded with side shows of letters, photographs and paintings by such famed Cassatt contemporaries as Edgar Degas, Paul Gauguin, Edouard Manet, Auguste Renoir. For Mary Cassatt, who went to Europe in 1868 to study art, lived there the rest of her long life, an expatriate American, never got full recognition from either France...
...great many more people will see them than ever got into Dale's Manhattan mansion.* The pictures, which included the famed Old Musician, one of the two most ambitious and highly valued (at least $500,000) items ever to come from the brush of the late great Edouard Manet, perked up the National Gallery's feeble Prench section like a shot of vitamins. Besides the Manet, rated as fine as the Dejeuner sur I'Herbe in the Louvre, Collector Dale's loan contained an assort ment of top-flight Renoirs, Degas and Corots, two Courbets...