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...emphasizes rich color-before abruptly shifting to drawing only in stark, monotone lines. "Colors weren't really fitting my character," she says (nor, one might add, the bleakness of her subject matter). Her art teachers initially dismissed her new style-"they said it's not painting; it's just manga," she recalls-but Machida persevered, eventually earning critical and popular acceptance. Today Yuji Yamashita, a professor of art history at Tokyo's Meiji Gakuin University, calls Machida perhaps the best of the neo-nihonga artists, and three of her works are already in the public collection of New York City...

Author: /time Magazine | Title: Outside the Lines | 7/5/2007 | See Source »

...hoped, when Abe took office, that the Prime Minister grasped the changing Asian reality. He supports the Cool Japan marketing concept that seeks to promote Japanese pop culture like anime and manga abroad -harder to do if your neighbors dislike you - and has said that he aims to make Japan a country where foreigners would want to settle. Abe made a show of immediately traveling to Beijing and Seoul, and recently hosted the Chinese Premier in Tokyo. Those summits have been the high point of his administration, but too often that goodwill has been wasted by chauvinistic outbursts from...

Author: /time Magazine | Title: Japan Bristles at U.S. WWII Criticism | 6/25/2007 | See Source »

...There are loads of violent moments in Oldboy (which was very loosely based on a Japanese manga), and even more in the first and third films in Park's so-called Vengeance trilogy, Sympathy for Mr. Vengeance and Sympathy for Lady Vengeance. But movie violence, as anyone who's seen Saw and its quillion imitators, is not unique to Asia. And if you want to argue that this violent film provoked this disturbed young man to commit this atrocity, you should be prepared to explain why all those who saw Oldboy, and The Matrix, and Saw, didn...

Author: /time Magazine | Title: The Movie that Motivated Cho? | 4/20/2007 | See Source »

...There are loads of violent moments in Old Boy (which was very loosely based on a Japanese manga), and even more in the first and third films in Park's so-called Vengeance trilogy, Sympathy for Mr. Vengeance and Sympathy for Lady Vengeance. But movie violence, as anyone who's seen Saw and its quillion imitators, is not unique to Asia. And if you want to argue that this violent film provoked this disturbed young man to commit this atrocity, you should be prepared to explain why all those who saw Oldboy, and The Matrix, and Saw, didn...

Author: /time Magazine | Title: The Movie that Motivated Cho? | 4/19/2007 | See Source »

When Japanese Self-defense Forces (SDF) troops departed for Iraq in 2004, they carried with them the fears of a divided nation, the historical burden of Japan's wartime actions-and Prince Pickles. The Prince, one of the SDF's cartoon mascots, is a cutesy manga character with saucer eyes and an oversized helmet who is supposed to soften the image of the Japanese military. Although the Prince seems unfit for service in a war zone, he's probably a perfect symbol for the SDF, which by law cannot use force beyond the minimum needed to defend itself...

Author: /time Magazine | Title: Sayonara, Samurai | 4/19/2007 | See Source »

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