Word: manhattan
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Dates: during 1940-1949
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...worry about than most artists, for at 35 Stuempfig is a solid critical and popular success: he has sold out three one-man shows in six years and won a reputation as the foremost young "romantic" painter in the U.S. Stuempfig's latest exhibition, which opened in a Manhattan gallery last week, did nothing to diminish that reputation, but it did raise a question : How romantic...
...born Norma Browning had been putting things to the test-and turning the results into first-rate copy-ever since she got her master's degree in English from Radcliffe College in 1938. Shortly after, she married Photographer Russell Ogg and they settled down to live in a Manhattan slum on his $15-a-week salary. Norma quickly turned the hardship into $1,100 from the Reader's Digest for a sprightly piece on We Live in the Slums. She joined the Trib as a feature writer in 1944. But not till two years...
...brief visit to the U.S., Britain's Field Marshal Viscount Montgomery (see INTERNATIONAL) got his first whiff of the ubiquitous U.S. columnists. As Montgomery sailed from Manhattan last week, ship newsmen asked him about Columnist Drew Pearson's story on Monty's conferences with U.S. Chief of Staff Omar Bradley and others. Pearson reported that Monty had urged Bradley to rearm Germany. Up went Monty's eyebrows. "What in the world is a columnist?" he asked in bewilderment. "How did he know that? ... I didn't know this chap was in the room...
...Manhattan's bustling little City Opera Co. (TIME, Nov. 3, 1947 et seq.) proved it knew how to give the classics a new shine. Last week it was the turn of City Opera's bright young sister outfit, the City Ballet Co., to show it could do the same with the dance...
...audience. In the second scene, Balanchine managed to move the evil Kostchei and his 40 demons back & forth diagonally in four groups, so that City Center's scant (40-ft.) stage always seemed full of excitement but never cluttered. Throughout, it was the most stunning ballet production Manhattan balletomanes had seen in many a moon. With the final curtain, the audience set up the kind of clamor that let Choreographer Balanchine, Conductor Leon Barzin and the whole cast know...