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Word: manhattan (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Raised Voices. There was no doubt that competition for the readers' small change and advertisers' dollars was getting stiffen One symptom was a rash of big ads in Manhattan dailies, not so much to sell millions of newspaper readers as to impress a thousand or so admen now making up 1949 budgets...

Author: /time Magazine | Title: The Press: Moral Obligation | 11/8/1948 | See Source »

...Decent Character. His father was a bluff, warmhearted German-Jewish immigrant who had achieved his principal ambition-to become an American. Julius Oppenheimer had also made a very considerable success as a Manhattan textile importer: the Oppenheimers had a country house at Islip, N.Y., a sunny, nine-room apartment on Riverside Drive with three Van Gogh originals hanging in the living room. Julius doted on his son, took him to Europe four times and asked only that the boy be "a decent character...

Author: /time Magazine | Title: The Eternal Apprentice | 11/8/1948 | See Source »

Lonely Man. School was the same. Manhattan's Ethical Culture Schools tried to find a moral equivalent for religion (credo: "Deed, not Creed") and went in for the production of quiz kids. By the time he graduated, Robert could read Caesar, Virgil and Horace without a Latin dictionary, had read Plato and Homer in the Greek, composed sonnets in French, and tackled treatises on polarized light...

Author: /time Magazine | Title: The Eternal Apprentice | 11/8/1948 | See Source »

...Usually, when an opera company puts on Aïda, singers have to don blackface to play Aïda and her father Amonasro, King of the Ethiopians. Last week, for its first production of Verdi's masterpiece, Manhattan's City Opera Company didn't have to bother: there were two first-rate Negro singers in the company...

Author: /time Magazine | Title: Black & White Aida | 11/8/1948 | See Source »

...Three days before graduation, he got his first break: the role of Emperor of Haiti in a production of Negro Composer Clarence Cameron White's opera Quango. He made a hit in it, but not his fortune. Soon afterwards he took a job as a singing waiter in Manhattan's Belmont Plaza Hotel...

Author: /time Magazine | Title: Black & White Aida | 11/8/1948 | See Source »

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