Word: manhattan
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Dates: during 1940-1949
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...ward in Ossining Hospital, on a hill overlooking the high-walled prison. The eight-year-old girl was in a private room in the same building. She was near death from leukemia, the cancer-like disease of the blood-making system for which no cure is known. Manhattan Hematologist Harry Wallerstein took the child to Ossining because he knew that prisoners there were willing to volunteer as guinea pigs for medical experiments.* Chief Prison Physician Charles C. Sweet had no trouble finding a man willing to take a chance, although he offered no rewards...
...Then the exchange was made pint-for-pint for four days (a five-hour session each day) until a total of 9,000 cubic centimeters (18 pints) had been interchanged. Last week, the transfer over, the lifer went back to his cell, the girl to her Manhattan home...
...Glyndebourne Opera's Rudolf Bing was relaxing in his Manhattan hotel room before returning to London. He had just finished a business errand for Britain's crack opera company; Glyndebourne's U.S. debut at Princeton, N.J. had been set for autumn 1950, and Bing was well satisfied. Then his phone rang. His faintly accented "Hello" was answered by the mellow tenor tone of the Metropolitan Opera's Edward Johnson. Could Mr. Bing attend a performance as his guest? Rudi Bing said he would be delighted. Last week, operalovers the world over learned that Rudi had seen...
...more of a surprise to Manhattan critics. Since Canadian-born Edward Johnson announced his retirement in 1950, they had been murmuring such names as Lawrence Tibbett, Lauritz Melchior, even Billy Rose as his successor. The New York Times's highbrow Olin Downes suggested that some people would consider it "time an American were appointed to head America's greatest operatic institution." The nobrow Daily News fired off an editorial: "Fair Shake for American Talent...
...Barter, busy last week planning a summer season with the largest Equity company outside Manhattan, is still run by Robert Porterfield. Porterfield founded the group in 1932 with 21 down & out actors, $1 in cash and a policy of barter at the box office. The first season's receipts were 10% cash and 90% pigs, game and produce; it wound up with a profit of $4.30 and two barrels of jelly...