Word: manhattan
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Dates: during 1950-1959
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...style to match, wrote and recorded (for ABC-Paramount) an amatory yawp of pain entitled So It's Goodbye, saw it become a favorite of the jukebox set. A carrot-haired New Jersey girl named Beverly Ross, 22, deserted the chicken farm where she grew up, traveled to Manhattan, made a hit record with her own song called Lollipop. Later, she moved Columbia's Mitch Miller to frenzies of promotional enthusiasm with two more of her darkling juvenile fancies-Headlights and Stop Laughing at Me ("I will always have that memor-ee"). Most promising of the fledgling singer...
...Crowds queued up last week along Manhattan's West 52nd Street in front of the ANTA Theater, which houses neither a fluffy comedy nor a roaring musical, but a somber, free-verse reworking of the Book of Job. Poet Archibald MacLeish's J.B. (TIME, Dec. 22) was booked onto Broadway with scant attention from theater-party givers and a skimpy advance sale of $46,000. On top of that it ran into the truly Jobian trial of New York's newspaper strike, which muffled the critics' unanimous raves. Yet when news about J.B. did spread...
...past 20 years, industrial designers have become a self-conscious coterie, well paid and well content with their mission : to save mankind from ugliness in man-made products. The work of such men as Henry Dreyfuss, Ward Bennett and Raymond Loewy in Manhattan and Eero Saarinen (who is both architect and designer) in Detroit has raised industrial design from a mechanical slough of vulgarity. For in the early years of mass production, the sound design of artisans gave way to the cheaply pretentious. The craftsmanlike simplicity of early American furniture was displaced by curlicues and overstuffing, and bathtubs took...
...good design has always been good and cannot be dated. Though the myth of stylistic obsolescence keeps dress and car manufacturers in business, it remains a myth. This basic truth was thoroughly documented in last week's retrospective show of designed products at Manhattan's Museum of Modern Art. Among the many chairs, for example, in the Modern Museum's show, perhaps the handsomest was an Austrian rocker, designer anonymous, manufactured back in 1860. And yet that ancient rocker, tendriled like a vine from the wine-heavy hills around Vienna, had a brisk, bald-bottomed rival...
...latest analysis of the religious composition of New York's metropolitan area, published this week by the city's Protestant Council, gives dramatic evidence of the decline of the once-preponderant white Protestants in Manhattan and vicinity. In 22 counties of the metropolitan area (reaching into New Jersey and Connecticut), 29.5% of the population is Roman Catholic, 18% Jewish and 15.9% Protestant; 2.2% is listed as "other," and 34.4% is unaffiliated. More than 55% of the city's estimated 960,000 Protestant church members are nonwhite. Among the nonwhites, the council, in an odd ethnological stance, listed...