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Word: manhattan (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

After the RSVP on a dinner invitation, GASPers warn putative guests: NSP -meaning, in Jacobeanese, "no stinking puffumigation." Even cab drivers lecture passengers. Says a sign in a Manhattan taxi: YOUR RIGHT TO SMOKE ENDS WHERE MY NOSE BEGINS...

Author: /time Magazine | Title: Time Essay: SMOKING: FIGHTING FIRE WITH IRE | 1/12/1976 | See Source »

...shouting comes from Patti Smith, 29, an intriguing newcomer on the rock-music scene whose first album, Horses (Arista), has been climbing fast since its release in November. A few months ago, she was just another aspiring singer on Manhattan's underground nightspot circuit. Grafted to primitive three-chord rock, Smith's raw soprano and often menacing lyrics emerge in an effect that is curiously vulnerable. With her fame spreading almost as suddenly as the sales of her album, some music executives see Smith as a potential Janis Joplin. Bob Dylan has paid a benedictory visit...

Author: /time Magazine | Title: Music: Say Yeah! | 1/5/1976 | See Source »

When she went to Manhattan eight years ago, she tried acting and writing for rock magazines, then published two books of poems and worked on a play. Eventually she gave poetry readings, accompanied by a guitarist. The readings became singings, and she added a bassist, a drummer and a piano player...

Author: /time Magazine | Title: Music: Say Yeah! | 1/5/1976 | See Source »

...Baryshnikov (in 1974). This fall A.B.T. recruited three more foreign superstars: Stuttgart Ballet's Marcia Haydée and two Italian artists, Carla Fracci and Paolo Bortoluzzi. Thus nobody quite believed it last week when, on the eve of the opening of the company's six-week Manhattan season, A.B.T.'s American star Cynthia Gregory abruptly announced her retirement for "personal reasons...

Author: /time Magazine | Title: Music: Gregory Bows Out | 1/5/1976 | See Source »

...David Storey's plays, this one, bravely produced by the Manhattan Theater Club, is the strangest. In Home, The Changing Room and The Contractor, each of which won the New York Drama Critics' Circle Award as the best play of its season, Storey austerely refused to proffer any hints as to the specific meaning of the work. In Life Class, he scatters clues with abandon, rather like confetti at a wedding, which often blinds viewers to the event it is intended to celebrate...

Author: /time Magazine | Title: The Theater: In a Mood for Rape | 1/5/1976 | See Source »

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