Word: manhattanization
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Dates: during 1990-1999
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DATE OPPONENT 9/12 HOLY CROSS, W 3-0 B.C., L 3-1 9/13 Cent. Conn., W 3-0 9/18 Nevada-Reno; Cal State-Fullerton 9/19 San Luis Obispo; St. Mary's 9/22 MASSACHUSETTS 9/25 PITTSBURGH 9/26 MANHATTAN; ST. JOHN'S 9/30 NEW HAMPSHIRE 10/3 Indiana State 10/4 Denver, Northeastern 10/9 Cornell 10/10 Columbia 10/14 Boston College 10/16 PRINCETON 10/17 PENNSYLVANIA 10/24 DARTMOUTH 10/27 PROVIDENCE 10/30 Yale 10/31 Brown 11/4 Northeastern 11/6 MARIST FAIRFIELD 11/7 HOLY CROSS SIENA 11/13-15 Ivy Championships (at Brown...
...stock funds Monday and Tuesday, but on Wednesday a net $6.5 billion flowed right back as the market bounced, according to Trim Tabs Financial Services. "There has not been any retail panic as far as we can see," says Scott Chaisson, a branch manager for Fidelity in midtown Manhattan. "There seems to be an awareness that there are going to be ups and downs like this...
...turns out, is to have some religious conservatives make a stink about it beforehand. McNally's new play concerns a gay Christlike figure who has sex with his apostles. The plot outline alone was enough to draw criticism and even death threats against the author and the Manhattan Theatre Club, which plans to stage the play this fall. Citing security concerns, the theater abruptly canceled the production in May; then, after a barrage of bad publicity and cries of censorship, reversed itself and said the show would go on after all. Which means McNally (Love! Valour! Compassion!; Master Class...
...going to look back on William Sidney Mount (1807-68) as a great American painter; the charm of his work is too modest, its range of feeling too circumscribed, for that. And yet, as the show of his paintings, drawings and prints at the New York Historical Society in Manhattan (before traveling to Pittsburgh, Pa., and Fort Worth, Texas) makes clear, there were reasons for his popularity, and he has a special place, very much his own, in the making of American art. Why? Because, with the slightly younger George Caleb Bingham, he was the first real genre painter...
That's certainly the case with the late-'70s metropolitan New York division, in Mark Christopher's 54. We are yanked back to Studio 54, the trash-glam Manhattan disco where, for a few years, simply everyone who did anyone was desperate to be seen. They had a blast at this all-night carnival of drugs, booze, sex, and a lot of pretty people who tawked funny. And the funniest was 54's co-owner and host Steve Rubell, the Elsa Maxwell of sleaze...