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...been decades since Hopper was miscategorized as an American Scene painter, the long-limbed, tight-lipped yeoman of Washington Square who distilled the essence of coastal New England and the odd corners of Manhattan. The strange solitude in his pictures, which has nothing to do with the regional or picturesque, is much more evident to us now. Even in his stalwart houses presenting themselves silently against blue sky, there's that mood of isolation so unnerving that it was a simple matter for Alfred Hitchcock to put it to his own uses in Psycho, in which an outline evoking every...

Author: /time Magazine | Title: Edward Hopper: Man of Mysteries | 5/10/2007 | See Source »

...that way. When they first appeared, they were considered triumphs over the ugliness and banality of the houses themselves. Gilded Age piles with mansard roofs or carpentered scrollwork were deeply out of fashion in the 1920s, when Hopper started seeking them out. In the same way, when he painted Manhattan, it wasn't the jazz-age skyscrapers he was drawn to. It was nondescript brownstones and offices, places like the one in Room in New York, where you could peek through the windows and glimpse anonymous people flourishing their enigmas...

Author: /time Magazine | Title: Edward Hopper: Man of Mysteries | 5/10/2007 | See Source »

...Among their many challenges is the one symbolized by the members of the public who were at the event - or, rather, who were outside the Hilton Hotel in midtown Manhattan. Scores of members of the group Wake Up Wal-Mart were protesting the meeting, accusing the company of being part of the country's health care problem, rather than the solution...

Author: /time Magazine | Title: Coalition Calls for Health Reform | 5/8/2007 | See Source »

...French company to Portishead. She followed it with La Disparition, stripping the sound down to simple acoustic songs. It was her third, Not Going Anywhere, her first in English, that got the interest of the hipster crowd on American shores, which continued with 2004's Nolita, named after her Manhattan neighborhood and imbued with her time spent there. In addition to her own albums, she has written for others, including octogenarian jazz and bass nova icon Henri Salvador, and a side project with Icelandic musician Bardi Johannson called Lady & Bird...

Author: /time Magazine | Title: The Sweet Songs of Keren Ann | 5/7/2007 | See Source »

...Think You Can Dance?” to that of “American Idol,” Oladehin gives a sense of the tough odds he faced to make it to Vegas.“The first-round auditions were held in early March at the Manhattan Center, on the corner of 28th and 8th Avenue. And so the line went from that corner, all the way down 28th till 9th Avenue, wrapped around 9th, and then went down 29th all the way to that other corner,” he recalls.Surviving two days of grueling cuts, Oladehin freestyled...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Olakunle O. Oladehin '07 | 5/2/2007 | See Source »

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