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Stewart suffered her first visible emotional breakdown last Wednesday evening, after the case was handed to jurors, says a source close to her. She might have had an inkling of what was to come on Friday inside a crammed but quiet courtroom in lower Manhattan. The most serious charge against her, securities fraud, had been thrown out the previous week. But four counts remained--obstruction, conspiracy and two charges of making false statements. Stewart, grim-faced and dressed in her ritual uniform, a dark pantsuit, sat and showed no emotion as Judge Miriam Goldman Cedarbaum repeated the word guilty four...

Author: /time Magazine | Title: Not A Good Thing For Martha | 3/15/2004 | See Source »

...worse. Her statements could be used against her in court. Indeed, the whole case flowed from her ill-advised explanation to investigators that she had a stop-loss order at $60. "She and her lawyers violated the first rule of criminal defense, 'Don't talk to the cops,'" says Manhattan criminal-defense attorney Gerald Shargel. That assumes, of course, that the hands-on Stewart was following her lawyers' advice. The fact that she agreed to meet with investigators not once but twice leaves Shargel flabbergasted. "If she had just kept her mouth shut, nothing would have happened," he says. Stewart...

Author: /time Magazine | Title: Not A Good Thing For Martha | 3/15/2004 | See Source »

Across town from Sandor's Manhattan apartment, Robert Mann, 83, fiddles away in preparation for his upcoming tour. Mann's 51 years as first violinist in the renowned Juilliard Quartet now seem like a musical warm-up for the multifaceted career he has pursued since he retired from the group in 1997. At an upcoming concert that typifies his new approach to performing, Mann will conduct, play chamber music, perform on violin and viola and debut his own composition--all on the same program. "When you love your art, it's easy to keep going," he says. "There's always...

Author: /time Magazine | Title: Still on the Beat | 3/15/2004 | See Source »

...curtain calls that tenor Charles Anthony has taken in his long career, one that he is taking this month has to be the most gratifying. In his role in Tosca at Manhattan's Metropolitan Opera House, Anthony, 74, is being celebrated for having sung for 50 consecutive seasons with the Met, a company record. In Tosca he is reaching his 2,882nd performance with the Met, also a record. "Charlie exemplifies what a Met singer is," says the opera's general manager, Joseph Volpe. "You almost can't believe he's been doing it so long. But you always know...

Author: /time Magazine | Title: A Tenor For All Seasons | 3/15/2004 | See Source »

Somewhere, lost amidst the taxi cabs swerving around pedestrians, frantic nannies chasing after their charges and Manhattan socialites strutting to and from their black-tie dinner engagements, lies a Park Avenue subculture that most will never know exists...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITER | Title: A Foot in the Door | 3/11/2004 | See Source »

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