Word: manhattans
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Dates: during 1920-1929
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...cash was found in a safe deposit box on his death and insinuated that this was "dirty money" for the political manipulation of Prohibition enforcement in Pennsylvania. She recalled appeals made by politicians for such prominent convicted 'leggers as George Remus (Cincinnati) and the La Montagne brothers (Manhattan). Declared Mrs. Willebrandt: "It takes backbone to stand up under the corrosive influence of politics [which] extends up to the Cabinet and the White House in Washington...
Madonna of Avenue A (Warner). A Bootlegger who sings nicely in the moonlight, accompanying himself on the guitar, meets a lonely girl from a private school, teaches her how to drink. Ousted from school, the girl visits Manhattan to find the Park Avenue home her mother has spoken of so often. It is a dull, wandering fiction, hardly made bearable by the good looks of Dolores (Mrs. John Barrymore) Costello. Most expected shot: the moment when the girl and her mother meet in a bar where the mother, who had lied about her high estate, has been swigging with sailors...
...into slapstick. The Hollywood Revue is not sophisticated but it is good entertainment. Best song: 'Singing in the Rain.' Prettiest girl: Joan Crawford. Silliest shot: Jack Benny covered with icing from the cake. Best shot: Marie Dressier imitating Marie of Rumania. To publicize the film in Manhattan, a smart manager put up a "human billboard" of flesh-&-blood chorus girls outside the theatre...
Norma Shearer was having a good time at débutante parties in Montreal when, in 1921, her family lost most of its money. She and her mother and her sister Athol went to Manhattan and lived in a furnished room on 9th Avenue and 59th Street, eating their meals in delicatessens and out of paper bags set out on the top of their trunk. Norma posed for advertisements, worked now and then as an extra. After Lewis J. Selznick gave her a good part in The Flapper she began to get offers from West Coast producers. Now wife...
Dinner is Served. To Manhattan's dramatic critics, sneaking back to their kennels, scorched an unwholesome yellow by the country sun, this dull trifle was used as an excuse for bored and wintry sarcasms. It repeated, stupidly, the theatrical cliche of the wife who wanted her husband to love her and whose trite appetites were gratified through the complicating assistance of her husband's friend. Alan Mowbray, of Theatre Guild scrub casts, wrote it himself, a handicap which his histrionic ability was not sufficient to overcome...