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Word: manhattans (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...offers few conveniences either to audience or actors except vast, barnlike spaces in which many sets of scenery may simultaneously be hung. Yet last week, and every week this season, it was jammed. It was Mrs. Hoover's first choice of a theatre to go to when she visited Manhattan last month...

Author: /time Magazine | Title: The Theatre: Civic Virtue | 11/25/1929 | See Source »

...including mannish-looking women in suits tailored like hers and carrying canes. But these are minor causes for the Repertory's success. The major significance of the theatre is that it proves, like a corollary to the Theatre Guild, that fine dramatic art treated studiously, "artistically," is appreciated in Manhattan.? And though Miss Le Gallienne's chief associates?Jacob Ben-Ami, Josephine Hutchinson, Leona Roberts, Egon Brecher and Paul Leyssac?would merit headlines anywhere, major credit for a serious venture which is one of Manhattan's greatest civic virtues, which has won all but the crustiest critics, must inevitably...

Author: /time Magazine | Title: The Theatre: Civic Virtue | 11/25/1929 | See Source »

...Painted by Artist Eleanor Harris of Manhattan...

Author: /time Magazine | Title: The Theatre: Civic Virtue | 11/25/1929 | See Source »

...Indianapolis, Ruth was taken to see her, did a toe-dance of her own composition. Pavlowa saw talent and beauty of face and body. She spoke encouragingly, advised Mrs. Page to take Ruth to Chicago to study during the summer with the Pavlowa Ballet. There followed further study in Manhattan under Adolph Bolm while the necessary general education was attended to at a suitable school for girls. Then in 1918, while Dr. Page and a son were with the A. E. F. in France, Ruth met quite by accident Victor D'Andre, husband of Pavlowa, at a Manhattan Sunday-night...

Author: /time Magazine | Title: Music: Indianapolis Dancer | 11/25/1929 | See Source »

...South America, across the Andes, up the West Coast to Panama, thence to Cuba, Mexico. When she returned to the U. S., Ruth was given the leading role in John Alden Carpenter's ballet, The Birthday of the Infanta, presented by the Chicago Civic Opera Company, later in Manhattan and other U. S. cities. Engagements and prestige came fast. She was premiére danseuse of the Bolm Ballet Intime, of Irving Berlin's Music Box Revue; she danced with the Chicago Allied Arts productions in Chicago (a defunct organization then dedicated to modern ballet); for a summer in Europe...

Author: /time Magazine | Title: Music: Indianapolis Dancer | 11/25/1929 | See Source »

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