Word: manhattans
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Dates: during 1950-1959
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...world-roving, hard-living journalist and author; onetime (1937-41) editor of Newsweek, where he revamped editorial policy, helped push circulation from 190,000 to 450,000; editor of the Chicago Sun (1941-42); Vice President of American Airlines in charge of Public Relations (1946-58); of cancer; in Manhattan...
...masterpiece lies in its design; blueprints and bricks come later. Even such a titan as the late Frank Lloyd Wright had to wait years to see his "impossible" ideas bear fruit. And the more adventurous the pioneer, the longer the wait. One of the most adventurous of all is Manhattan's Frederick Kiesler, who at 62 has originated more ideas and seen fewer of them built than almost any other architect of his time...
...order to be creative: not to resist himself, but to resist without exception every human, technical, social, economical factor that prevents him from being himself." Recently, a former student of Kiesler, Armand Bartos, asked him to become a partner while remaining strictly Kiesler. Their collaboration resulted first in Manhattan's strange and elegant World House Galleries (TIME, Feb. 4, 1957). Now ground is being broken for the partners' full-scale project at the Hebrew University of Jerusalem: a gigantic shrine, to be entered from underground, and built around an 80-foot column of c water, to house...
...first actual shell house in history. The Pantheon in Rome is half a shell. Kiesler modeled a true shell, an egglike construction balanced on stilts and tensile all around-not just at the top and sides. Last year, 35 years after he proposed it, Kiesler was commissioned by Manhattan's Museum of Modern Art to carry out his still-revolutionary idea in model form. He secluded himself in his Greenwich Village loft, spent month after month brooding, sketching, constructing. The end result is bound to surprise even those who know him. Anchored to its supporting columns as lightly...
Tentative plans have been made to build Kiesler's new departure in architecture in the garden of Manhattan's Museum of Modern Art, where a full-scale Japanese house was erected for exhibition five years ago. Never a man to waste time waiting for the decisions of practical men, Kiesler has plunged ahead into yet another project-a room for meditation, in which paintings open like windows and sculptures burst treelike from the floor...