Word: manhattans
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Dates: during 1960-1969
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...discover that The New Yorker magazine had taken it upon itself to add a table of contents. In a world where change confronts one at every turn, we had always taken a certain satisfaction in the constancy of Chat publication. Wondering if a palace coup had taken place on Manhattan's West 43rd Street while our attention was directed elsewhere, we at once put in a call to the magazine's editor, William Shawn...
Helen Frankenthaler's painting career began in the ninth and tenth grades of Manhattan's ultrachic, ultra-strict Brearley School. Her father, New York State Supreme Court Justice Alfred Frankenthaler, had died a few years before, leaving behind a beautiful widow, a sizable estate and three daughters. Helen was the youngest, and she soon found herself in "a very bad state, suffering a real childish sense of life and death." She found that only her painting class gave her "a sense of losing myself." Brearley girls sketched nudes from life and painted still-life compositions in oils. Helen...
...cavernous fourth story of Manhattan's Whitney Museum, with its stark slate floors and 17-ft. ceilings, can seem as empty and remote as an abandoned temple. A-architecture, it is a demanding frame, diminishing the trivial but magnificently enhancing the heroic. Currently, frame and subject seem superbly conjoined in a display of 46 huge, brilliantly colored canvases by Helen Frankenthaler. There, on the impassive walls, color gardens of imaginary flowers bloom with subtle petals of mauve, maroon, crimson, orange, cinnamon. There are stately, bold, blaring rectangles of cherry and apricot, leaping palegold fires, whistling blue sails of form...
...Shadow. Many of the gallerygoers who have seen the show in the past month, including many of the critics, feel as if they had never really seen a Frankenthaler before. In Manhattan's close and somewhat clubby artistic community, nearly everybody knows Helen Frankenthaler as a charmer, a hostess and a presence. Back in the early 1950s, she was the brash, aggressive young girl friend of Clement Greenberg, the eloquent critic and self-appointed evangelist who has done the most to recognize and extol the genius of Jackson Pollock. For the past eleven years, she has been the wife...
...went on to progressive Bennington College in Vermont. The painting she contributed to a Bennington Alumni Art exhibition in a Manhattan art gallery in May 1950 was an amateurish pastiche of her Bennington teachers, Picasso and Art Students League. Clement Greenberg, who came to the opening, thought it was terrible, and told the artist so. Then, naturally, he had to invite her down to Greenwich Village for a drink...