Word: manically
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Dates: during 1980-1989
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...effect on the brain believe it interferes with normal biochemical agents that control the desire for food, sex and sleep. Given a choice between food and cocaine in laboratory experiments, monkeys will become hooked on cocaine and take it until they starve to death. Humans become almost as manic. "You don't even see it coming," says Ken, a 33-year-old construction worker from the east side of Cleveland who began snorting cocaine with his wife in 1982. "We didn't think we were addicted. But once you get into it, it's got you. You don't even...
...gawk at punk couples in Dracula makeup and matching spiky hairdos. So fast is the tempo that when a quarrel erupted recently between two West Berliners, the story goes, one snapped at the other, "Slap yourself for me. I don't have time." At night the city grows more manic still, with revelers jamming its cabarets, dance halls and 23-hour-a-day pubs...
...chronic worrywart; he was a legendary sexual goat. "I don't believe in marriage," she said. "Neither do I," he replied. Only one of them was joking. And yet they did have fun. She made him salads at 4 in the morning; he made her laugh with a manic-heroic rendition of Soliloquy from Carousel. He would be, she thought, just the guy to offer sex, schmoozing and comic relief, between babies. Oh, yes, and they were famous, at least in the emerald ghettos of Manhattan and Georgetown. For Heartburn was a smart, tattling novel pretty much about its author...
Better still, it gives the movie's creators room to move around. Much of Aliens' originality results from the fact that the filmmakers have not confined themselves to the conventions of the horror genre. Without strain, and with a kind of manic good cheer, they meld into the film elements from many another pop tradition: action, adventure, even military comedy, anti- Establishment preachment and a well-taken satire on the yuppie mentality...
...eerie, gorgeous twilight between empire and dissolution, the city's ; radical young artists and architects broke from the local academy, named themselves Secessionists and established their own countersalon in 1897. They called their journal Ver Sacrum (Sacred Spring) and practiced, as a matter of principle, a manic cross-fertilization. With Klimt, art became overtly decorative, gold-inlaid portraits masquerading as rich bijoux; with Hoffmann and his Wiener Werkstatte collaborator Koloman Moser, bowls and chairs aspired to art. It was a feverish, unresolved time, and the Viennese fin-de-siecle impulse was to savor the exquisitely confused cultural moment...