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...making the villains brown, turdshaped creatures who neatly slipped in any out of any available human orifice. In The Brood, his 1979 entry starring Oliver Reed and Samantha Eggar. Cronenberg realized a brilliant and original idea. Doctor Reed develops a radical psychological treatment that enables his patients to manifest, physically, their traumas and neuroses. Eggar, his star warped patient, grows living, breathing children off her chest. These faceless perversions, products of her illness, band together to destroy anyone who might upset her delicate psyche. That's the kind of idea that turned Cronenberg into a legend. Avco Embassy subsequently offered...

Author: By Scott J. Michaelsen, | Title: A Mutant | 3/14/1981 | See Source »

However, the doubts expressed in the editorial about the actions of GUERRILLA manifest something of a misunderstanding of the role and raison d'etre of our organization. This we hope to make clear in what follows...

Author: NO WRITER ATTRIBUTED | Title: GUERRILLA Responds | 1/28/1981 | See Source »

...atmospheric distance; the calcined forms, visually explicit, retreated from the eye in a startling way. She also made a number of gold-painted sculptures that were, on the whole, less successful. The same eloquence of arrangement was there; but because the gold paint was only paint, while trying to manifest a flat-out barbaric opulence, it looked (and still looks) faintly tacky, as substitutes...

Author: /time Magazine | Title: Art: Sculpture's Queen Bee | 1/12/1981 | See Source »

...than a decade. He has written three psychodramas that are, in a way that no author of an adulterous farce could imagine, plays about the eternal triangle. Two men are pitted against each other under the baleful or indifferent eye of a God who is present but never made manifest...

Author: /time Magazine | Title: Theater: Blood Feud | 12/29/1980 | See Source »

...time when America questions whether or not it is still the light of the world, it refreshes and reassures to discover a man who did beleive in the President as a redeemer, and democracy as a catalyst for love. A child of expansion and of manifest destiny, Walt Whitman embodied a sprit that no longer pervades the American consciousness. Kaplan revives Whitman and his dreams, revealing democratic vistas that have become blurred in our own time...

Author: By James L. Cott, | Title: America's Gentle Giant | 12/17/1980 | See Source »

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