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...want to prepare the birth of an industrial and military Venice. Let us fill the stinking little canals with the rubble of the tottering, infected old palaces! Let us burn the gondolas, rocking chairs for idiots." Thus Filippo Tommaso Marinetti and his friends, the futurist painters, in a manifesto from 1910. It is a delicious irony that the most important exhibition in Europe this summer (or indeed anywhere else) should be a giant display of futurist paintings, sculpture, books, pamphlets, posters and memorabilia in a palace, no longer tottering, on the Grand Canal. Titled "Futurismo & Futurismi" ("Futurism and Its Offshoots...

Author: /time Magazine | Title: Art: Kill the Moonlight! They Cried | 8/4/1986 | See Source »

...decades, however, an avant-garde of populist architectural historians has been looking at the strip and its larger-than-life iconography without conventional middlebrow contempt. The movement's manifesto is Learning from Las Vegas (1972), Robert Venturi's examination of crowd-pleasing architectural symbolism and buildings designed primarily for drivers. The irony is so American, so pop: cultural highbrows celebrating unself-conscious lowbrow vulgarity...

Author: /time Magazine | Title: Design: Legacy of the Golden Arches | 6/2/1986 | See Source »

...Pres. De Beauvoir was not far behind. She won the prestigious Prix Goncourt for her fourth novel, The Mandarins, an astringent survey of the Paris literary life as well as a memoir of her own affair with ^ Chicago Novelist Nelson Algren. More enduring fame came from her monumental manifesto The Second Sex (1949), one of the cornerstones of modern feminism...

Author: /time Magazine | Title: Books: The Mandarin and the Thief Simone de Beauvoir: 1908-1986; Jean Genet: 1910-1986 | 4/28/1986 | See Source »

...infinitely less receptive to the seriousness of women artists. One way to resist such pressures was to emphasize the formal and botanical over the symbolic and sexual. "I am not a woman painter," she once declared in a famous statement; her life's work was a sustained manifesto against second- class aesthetic citizenship...

Author: /time Magazine | Title: Art: A Vision of Steely Finesse: Georgia O'Keeffe: 1887-198 | 3/17/1986 | See Source »

Crisp seems to espound sincerely his philosophy of self-absorption, but with a sardonic humor that would make both Ayn Rand and W.C. Fields proud. It's simultaneously a deadly serious manifesto for happiness whose key points are hilariously funny. It's no wonder that Crisp has developed such a following. He does tell egos what they want to hear...

Author: By Emily J. M. knowlton, | Title: Marquis de Style | 11/14/1985 | See Source »

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