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...with more skill and at greater length under the titles All About Eve and The Bad and the Beautiful. What is original in the new picture receives scanty attention because of the time spent on the other two. And it really is a shame that writer-director Joseph L. Mankiewicz could never quite decide on which story to concentrate because he ends with a second rate product in which the flashes of brilliance seem to shake free in spite of, rather than because of, his intentions...

Author: By Robert J. Schoenberg, | Title: The Barefoot Contessa | 11/30/1954 | See Source »

...BarefootContessa (Figaro-United Artists) starts off as a series of expert thrusts through the tinsel of the perennial Hollywood rags-to-stardom saga. But Writer-Director-Producer Joseph L. Mankiewicz, who has successfully charred his bread and butter before (All About Eve). this time reaches so hard for significance that he loosens his grip on the ironic Hollywood spoof he almost has in hand...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 18, 1954 | 10/18/1954 | See Source »

Sunday with Garroway (Sun. 8 p.m., NBC). Two hours of top entertainment, with Gina Lollobrigida, Director Joe Mankiewicz, Pianist Alec Templeton...

Author: /time Magazine | Title: TELEVISION: Program Preview, Sep. 20, 1954 | 9/20/1954 | See Source »

...unkind, and the film happily needs credit no-one with "additional dialogue." There is no pretentious introduction to ease the audience into Shakespeare, and with Brando excellent as Antony, there is no desperate bid for box-office appeal in the casting. Essentially, what producer John Houseman and director Joseph Mankiewicz have done is to film the play, with a superlative cast to project its poetry. The result is a distinguished American trespass on the Olivier preserve of the Shakespeare film...

Author: By R. E. Oldenburg, | Title: Julius Caesar | 1/7/1954 | See Source »

Produced by John Houseman (who in 1937 put on a striking, modern-dress stage version of Julius Caesar with Orson Welles) and directed by Joseph (All About Eve) Mankiewicz, this is a polished and lavish production. But, dedicated to the theory that the play's the thing, it does not stress pageantry for its own sake. Faithful in letter and spirit to the play, the movie has no "additional dialogue," and the cuts are mainly in the last third of the play, traditionally considered expendable on the stage...

Author: /time Magazine | Title: Cinema: New Picture, Jun. 1, 1953 | 6/1/1953 | See Source »

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