Word: mankind
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Dates: during 1960-1969
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...youth was fin de siècle; her philosophy was fin du monde. She was an earthly personification of Emily Dickinson's inebriate of air and debauchee of dew, stoned on life and art. In answer to the question, "What gods has mankind worshipped?" Dancer Isadora Duncan once replied: "Dionysus - yesterday. Christ - today. After tomorrow, Bacchus at last!" In short she was the quintessential bohemian, the ideal subject for a screen biography. The Loves of Isadora supplies the ideal object: Vanessa Redgrave, whose enactment of Duncan carries with it an exquisite sensitivity and a formidable intelligence...
...back while focusing on his weaknesses." J. McVicker Hunt, a psychologist at the University of Illinois, agrees with Jensen that the child's first exposure to formal education is confining when it should be expanding. Says Hunt: "I am among those few who are inclined to believe that mankind has not yet developed and deployed a form of early childhood education (from birth to age five) which permits him to achieve his full potential...
...than the IQ test are developed, any attempt to rank the intelligence of black and white is meaningless-and is bound to be mischievous in the light of its political implications. Too little is known of the genes to justify positive statements about their contribution to the intelligence of mankind at large, much less to any division of mankind. The suspicion that there are genetically determined differences at birth, and that these may contribute to the enormous diversity of the human intellect, is at least as old as Plato. But, as Geneticist Lederberg observes, "it remains just a hypothesis...
Backward Film. Vonnegut's view of man is not new. Indeed he sometimes sounds eerily like the 16th century mystic Sebastian Franck. Appalled by the cruelties men worked upon one another in the name of religion during the Reformation, Franck wrote: "Whoever looks at mankind seriously may break his heart with weeping." Then he added: "We are all laughingstocks, fables and carnival farces before God." Formal belief in God seems to have no part in Vonnegut's philosophy, though in Slaughterhouse-Five he does suggest that the story of the Crucifixion would be more appealing if Jesus...
...just and honorable, but that corrupt and wicked institutions have transformed the noble savage into a civilized monster." The only way to reconcile these two sets of dogma is to assume that Gardner, despite the more-democratic-than-thou air he assumed toward radicals, believes that the mass of mankind is bumbling and even a bit vicious, and that society will collapse unless its machinery is run by highminded and extraordinarily competent men like...