Word: mankind
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...that might incinerate millions of its people. The trouble is, we have not found any such weapons, which has led some Administration supporters to shift their ground. Whether or not Saddam had nukes, they argue, his rule was so vile that getting rid of it was a service to mankind. That is true. But if the test for deploying American power to remove a regime is not the danger it poses to the U.S. but its wickedness, why stop at Iraq? As Mandelbaum wrote seven years ago, "The world is a big place filled with distressed people." Why not ease...
...tactics, he gave a classic formulation of the lure of America's ideals: "Tyranny is so generally established in the rest of the world that the prospect of an asylum in America for those who love liberty gives general joy, and our cause is esteemed the cause of all mankind." He ended by echoing the shining "city upon a hill" metaphor used by the great American exceptionalists from John Winthrop to Ronald Reagan. "We are fighting for the dignity and happiness of human nature," he proclaimed. "Glorious it is for the Americans to be called by Providence to this post...
...Vine destruction derby in The Italian Job. This week 2F2F is joined by Hollywood Homicide, with a careering, nonstop trip through Beverly Hills and other L.A. tourist spots. Charlie's Angels: Full Throttle will show how car stunts can outdo kung fu. In Terminator 3: Rise of the Machines, mankind's savior will try to keep his Toyota Tundra out of the clutches of a 160-ton crane. The summer keeps on truckin' with Bad Boys II (Will Smith and Martin Lawrence in a Ferrari and a Hummer) and the freewheelers of S.W.A.T. Fasten your seat belts and renew your...
...diversions from life's anxiety, rancor and tragedy. In the rest of the world, films are often a reflection of those troubles, a mirror into the dark soul of humanity. So each May, 35,000 movie folk convene in a Riviera paradise, where they place a stethoscope to mankind's heart and announce, this guy is sick...
...goes in this magical movie. An itinerant schoolteacher uses the warplanes constantly overflying the fleeing Kurds as, of all things, a metaphor for mankind's aspirations. Barat finally sees the woman whose voice he loves--weepingly searching a mass grave for her brother's remains. And although Mirza never sees his long-lost beloved, he comes away from their near encounter with her child. The last we see of the old man and child, they are disappearing into a snowy field--heading toward an end we do not know...