Word: mankowitz
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Dates: during 1960-1969
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...literal adaptation of the novel. The late Ben Hecht had three bashes at it. It was then completely rejiggered by Billy Wilder, who in turn got rewritten by Joe (Catch-22) Heller. To no avail. By last week the script du jour was the product of Terry Southern, Wolf Mankowitz and John Law. Except that Peter Sellers has winged most of his scenes, John Huston is redoing his, and Woody Allen is working up an altogether new concept...
...million worth of art, from an 11.80-carat unset emerald ($65,800) to the bugle that blew the charge of the Light Brigade ($4,480). More than 250 illustrations, some in color, all priced in pounds and dollars, plus-for no good reason-an original short story by Wolf Mankowitz about an imaginary sale at Sotheby's, of all places...
...with the words, "Good evening, peasants." But it is in his theater reviews for Lord Beaverbrook's Daily Express and more recently for the Daily Mail that his stiletto prose has dug deepest. Damned by producers as a "hired play assassin," he panned a musical by Playwright Wolf Mankowitz so savagely that Mankowitz led six girls into his office with an undersized coffin, saying: "This is the moment we have been waiting for-to send a midget coffin to a midget critic...
...plucked peacock. As a play-written by France's Jean Anouilh and played on Broadway by Sir Ralph Richardson and Mildred Natwick-it was a brilliantly dressy slapstick satire: a show most wise and cruel when it seemed most raucous and extravagant. As a screenplay-written by Wolf Mankowitz and directed by John Guillermin-Anouilh's fine-feathered strutter has been saponified, caponified, shorn of its more splendid plumes of wit and stuffed with a mighty chunk of supererogatory and rashly overcolored celluloid that might have been more sensibly and even profitably employed to blow up the bank...
...return to pre-eminence this year under a new artistic director, Lord Harewood, 38, music-critic cousin of Queen Elizabeth. With John Osborne's Luther (see above), he will present the Bristol Old Vic's version of Lawrence Durrell's Sappho and Wolf (Expresso Bongo) Mankowitz' adaptation of Friedrich Duerrenmatt's Frank V, described as the "musical history of a private bank." Then there is also the famed Edinburgh "Fringe"-small, independent productions that sprout by the dozen (about 60 last year), have no official connection with the festival, and often include some...