Word: manly
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Dates: during 1940-1949
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...hundred years ago this week Composer Frederic Chopin died in Paris, aged 39. For the great man's funeral in the Madeleine, admission was by card only: 3,000 crowded into the chapel. Theophile Gautier wrote his epitaph: "Rest in peace, beautiful soul, noble artist! Immortality has begun for you . . ." History has confirmed Gautier. This week, on the centenary of Chopin's death, the western world honored him on a scale matched only by the plaudits he knew in his lifetime...
...Solid Ground." The object of such honors, perhaps more concentrated than any other composer living or dead has ever received on a single occasion, was a man of whom one Parisian wrote: "Chopin can best be denned as a trinite charmante. His personality, his playing and his compositions were in such harmony that they could no more be separated than can the features of one face...
Since Matisse first conceived the chapel (TIME, Jan. 3), the ailing but happy old man has altered his plans for it again & again. The design for its eight narrow stained-glass windows of half-abstract leaves and cactuses done in blue, yellow and green was worked out by pinning colored scraps to long rolls of brown wrapping paper tacked to the walls of his hotel suite at Nice. The interior design was also the work of months; as now planned, its white marble floor and black-line Matisse murals drawn on white tiles will glow with colored light from...
...prizes, awarded by a conservative, three-man jury, went to expressionists, i.e., people who paint what they feel instead of what they see. Philip Evergood, 47, took second prize with a vaguely political parody of a mythological theme: Leda in High Places. Leda and the swan (which Evergood intended to represent "nature" and "man's ideals") were elegantly drawn and painted to shine like new snow, but the picture fell apart at the top and degenerated into cartooning at the bottom. Leda's just-hatched twins were cast as symbols of race-hatred. The prize they fought...
...potted palms. "It is there," he says, "that I make my fantasies for my work." He often puts fish in his pictures "because I like fish, both to eat and to look at. Also they are symbols." What do they symbolize? "Geist-spirit," Beckmann replies positively. "But the man who looks at my pictures must figure them out for himself...