Word: manly
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Dates: during 1950-1959
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...literate statement of philosophy which finds the middle ground between religious panacea and existentialist despair." This "middle ground" was explained as the fact that "J.B. forgives God. This is not the tragedian's agnosticism or the atheist's bland facility--MacLeish has added to the stature of man at the expense of God. If man can presume to forgive his maker, then his maker, although omnipotent, is no longer omniscient. MacLeish has humanized his God." Anyway, all theological niceties aside, it was felt that J.B. "opens a fresh dimension in American stagecraft, and presents a challenging statement of philosophy...
...York or Boston, Brooks Atkinson (Harvard, '17) of the New York Times: "One of the memorable works of the century as verse, as drama and as spiritual inquiry ... magnificent ... In every respect J.B. is theatre on its highest level ... a stark portrait of ourselves composed by a man of intellect, faith and literary virtuosity." "This was the first inkling I had that Mr. Atkinson had called J.B. 'one of the memorable works of the century'," the poet said. "Well, after you've worked five years on a play and your whole heart's in it ... well, it's a funny...
...other things," she assured him, "are so secret they wouldn't even tell us." She gave an audible chuckle. "See that man?" she said, singling out a well-dressed gentleman with pad and pencil. "He's observing the effects of this meal. You know, he measures how many ounces of milk are left over, and things like that...
...drawing reaches a consistently high standard of draftsmanship. With a few swift and caressing strokes, as in Lola, Modigliani can evoke a lovely girl, sitting at her ease, looking alertly at the viewer. Drawn in the last year of the artist's short, wantonly bohemian life, A Young Man is especially enjoyable for its intricately balanced composition and its artful, linear suggestion of facial volumes...
Playhouse 90 (CBS, 9:30-11 p.m.). The irresistible force of political pressures meets what should be an immovable object: a scrupulously honest man. The Hidden Image stars Franchot Tone, Martin Gabel, Nancy Marchand and George Grizzard...