Word: manly
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Dates: during 1960-1969
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...them were very friendly; some were aloof. On the stage, wherever that was, Dick Gregory spoke, and later Arlo Guthrie spoke and sang. Soon someone started speechifying. We tuned out. We ate the best apple God ever made, and we passed eggs and cookies too. A friendly, crazy old man handed us a canteen of "cold wheat coffee...
...group returned from a trip to the VW with bread, cheese, and grass. Soon joints and all sorts of food-chicken, mints, cheese, peanut butter-were being passed through the crowd. We sang with Pete Seeger, we jumped for Richie Havens, we laughed at Tim Leary. A fat man frowned and a young girl took pictures while we rolled joints; everybody else smiled. Then they announced Earl Scruggs. We jumped up and began a round
...becoming suddenly much more distant, it's impossible to tell whether the camera or the people have moved. All we're sure of is the shining face of a woman pushing through a crowd, speaking the nonsense announcers spin out when they've nothing to say, hunting for a man whose location and identity are in question. Instead of defining the situation, showing us clearly the setting and order of the action, the shot affects us while explaining nothing...
Knowing themselves little, the people of Rules know those onto whom they push themselves even less. Nevertheless they act, without reflecting. The most assertive and idealistic of them is Andre Jurieu, the man who flew the Atlantic for a woman. It's significant for the mood and tendency of Rules that earlier in the depths of his love he talked of suicide-an act few of Renoir's characters consider...
...park, decide to elope. The light falling on the scene is so broken that their faces and their surroundings are fragmented into patterns of light and dark. It becomes impossible to tell where a character ends and the setting begins; they have become a single meaningless surface. Indeed, one man watching them mistakes Christine for his own wife and later, mistaking Jurieu for Octave, shoots...