Word: mann
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...that stars in the making weren't available to Mann. Gorgeous young Jane Greer was an RKO ing?nue when Mann was there, just two years before her breakthrough role in Out of the Past. In fact, she had her first billed role in Mann's Two O'Clock Courage, where, at 20, she is already sultry and spoiled; and she appears again in his The Bamboo Blonde. But Mann apparently didn't see what Greer had: the high forehead, full lips and amoral aura that gave her a drop-dead-with-a-smile-on-your-face sexual charisma. The director...
...directors of the mid-'40s, he would have put his money on Edgar G. Ulmer, who with such no-budget films as Bluebeard and Detour was spinning gold out of Poverty Row dross. But fate had a couple of twists in store. Ulmer never graduated to A-level movies. Mann did - after making some remarkable killer...
...DARK MANN...
...people noticed it at the time, but in 1947 Mann vaulted from nowhere to the top rank of directors. His filmography seems to explode, with movies as lurid and paranoid as their names. Desperate. Raw Deal. Railroaded! Great pulp titles, suitable for a trashy paperback, though they were all original screen stories. (The studios Mann worked for couldn't afford to option novels or plays; their writers had to make it up as they went along...
...Mann's first successful noir, Desperate sets the mood for the whole cycle. It's about one of those days when everything goes wrong. Steve (Steve Brodie), a decent Joe who's been married to loving Anne (Audrey Long) for four months, gets a call one evening to make some easy money driving his truck for Walt (Raymond Burr), a guy he used to know. The truck, Steve learns, is to be used for a heist, and when he protests he's forced into it, and spotted by the police. He gets away, but Walt's brother Al is picked...