Word: manne
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Dates: during 1960-1969
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...other groups and labels are cashing in on the same market, including the Cowsills on MGM (Indian Lake) and Manfred Mann on Mercury (My Name Is Jack). But Buddah and Bogart hold the original charter. "We are giving kids something to identify with that is clean, fresh and happy," Bogart says. "Let them worry about the world's problems when they get older...
...detail from past movies. She detected that footage purporting to show atomic-bomb damage in Hiroshima Mon Amour was not authentic, but had been lifted from an earlier Japanese atrocity film. She is equally discerning with movies that are morally pretentious. With "holy hindsight," she wrote, Screenwriter Abby Mann and Producer Stanley Kramer had used Ship of Fools to heap scorn on Germans and Jews who lacked the prescience to see that Nazism was coming. The film, she asserted, implies too facile an equation between shipboard rudeness and the Final Solution. "Hitlerism," Kael maintained, "was not produced because people...
...MOON FOR THE MISBEGOTTEN, one of Eugene O'Neill's last plays, laments a loveless trio. W. B. Brydon, Salome Jens and Mitchell Ryan give poignant portrayals of three emotional cripples hiding their afflictions beneath blather and rant. Theodore Mann directs a finely composed production at the Circle in the Square...
...FESTIVAL. In "The Five Faces of Jazz, Newport 1967," Host Herbie Mann traces the origin of Middle and Near Eastern music with the help of his quintet, then turns the stage over to African Drummer Olatunji, Brazilian Guitarist Luis Henrique and Hungarian Guitarist Gábor Szabo-all demonstrating the form's roots and reverberations in other musical cultures...
...emotive depth. As Hogan, W. B. Brydon is a raffish, truculent blend of peasant guile and blather, while Mitchell Ryan's sodden, dandyish Jim Tyrone is a tarnished peacock straight from Old Broadway. Salome Jens, with hoydenish charm, discloses the vulnerable waif inside the intimidating woman. Director Theodore Mann has sensitively staged the play in fidelity to O'Neill's intent: Moon does not brighten the sky, but mirrors itself in melancholy fragments on a swelling sea of sorrow...