Word: manne
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Dates: during 2000-2009
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...Academy Award for his score to Frida. In 2006, he was named a Pulitzer Prize finalist for his original three-act opera Grendel, which premiered at the Los Angeles Opera. And on July 1, he makes his return to the big screen with a score for Michael Mann's Public Enemies. Goldenthal spoke to TIME about the compositional challenges he faced in scoring the life of famed gangster John Dillinger (played by Johnny Depp) and the complexities of composing for various media simultaneously. (See the All-TIME best soundtracks...
...movies, Michael Mann has made interesting music choices - when to use it, and at what volume. Your worked together on Heat, which often buried the music in the background. What was it like working with him on this period piece...
...Flynt Leverett and Hillary Mann Leverett, National Security Council officials on the Iran file under the Bush Administration (who later publicly broke with and denounced its policies) argue on Politico.com that "the shock of the 'Iran experts' [in the U.S.] over Friday's [election] results is entirely self-generated, based on their preferred assumptions and wishful thinking." They remind readers that Ahmadinejad was generally agreed to have a commanding lead in the polls two weeks before voting and that his combative performance in the televised debates had boosted his standing and demoralized the opposition. They sketch the sociology...
...Boston Opera House, where he watched music performances for free. Antoine could always find time to talk about his plans for the College’s music department, said Charles W. Altchek ’07, who had known Antoine since their freshman year at the Horace Mann School in New York, nine years ago. Antoine, who played the violin and piano, had wanted to expand the interaction between the music department and undergraduates, Altchek added. The stress of planning and performing in the Class of 2007’s freshman musical—which Antoine produced?...
Shirley Smart and Edgar Eager’s path to Harvard began in primary school. From across the table, the champion of universal first-class elementary education chimes in. Horace Mann, architect of American public schooling, ponders the debate over private education, charter schools, and educational reform. He tells the two graduates that today’s youth must have a toolbox of knowledge if they are to build a better tomorrow. Distant in thought and dabbling on a laptop, he probably wonders why race and class discrepancies still exist in childhood learning. While Edgar informs Horace Mann about Teach...