Word: manned
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Dates: during 2010-2019
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...zero-rupee note attacks this social problem through social, rather than political, means. Various news sources have reported that officials are often shocked and shamed when given the note and quickly perform the necessary service without a bribe. One man who was overcharged for a car-parking fine, Ashok Jain of Chennai, immediately shamed the attending policemen into charging him the correct fee by handing them a zero rupee note, and an old lady who had been fighting for a land title for years gave the note to a local official and finally received the document after over a year...
...Woman, like man, is her body,” Beauvoir wrote, “but her body is something other than herself.” Although masculinity coincided with the for-itself—that freedom which makes one uniquely human—femininity coincided with the in-itself—the inhuman or object-like. Man encountered the body as pure instrument, able to be dominated and controlled; woman, by contrast, experienced her body as an inscrutable burden. Biological givens may have had no meaning outside that which society conferred on them, but they still had an objective reality...
...mind, spelled inferiority. Yet, as per her claims, since the essence traditionally assigned to women was unacceptable and no new essence loomed on the horizon, women’s only chance at liberation lay in emulating men. Beauvoir’s woman, it seemed, was really just a man in drag—or, worse yet, a eunuch...
Critics latched onto this ambiguity and lambasted “The Second Sex” for ascribing to a masculinist paradigm. By trivializing women’s reproductive labor, the argument went, Beauvoir reinscribed the gendered binaries which she purported to deny, conflating culture with man and nature with woman. In this view, Beauvoir figured liberation as a masculine concept—as the ability to transcend the limitations of the traditionally feminine. The model of liberation that she offered woman, therein, seemed no different from the existing paradigm proffered...
...brink of the 19th century, in the Scottish town of Dumfries, the poet Robert Burns wrote: “the honest man, tho’ e’er sae poor / Is king o’ men for a’ that.” Two centuries later, and about 100 miles away in St Andrews, poet and musician Don Paterson is striving for the same down-to-earth honesty in his fifth volume of poetry, “Rain.” In this new collection, Paterson amasses popular images of sentimentality and reimagines them amid the hectic cacophony...