Word: mannerist
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Dates: during 1950-1959
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...period of Shakespeare's creative productivity covered the rich years from about 1590 to 1613. During this span the Renaissance style was on the wane, though still much in evidence; the Mannerist style was in full swing; and the Baroque style was in its vigorous infancy. Thus it is that Shakespeare's output reflects all three styles: in the tragedies, for example, Othello is Baroque, Hamlet and King Lear are Mannerist, and Romeo and Juliet is Renaissance...
...timetable, the works, ranging from Lucas Cranach the Elder to Picasso, were hard to group by theme or period, but "Paintings from Private Collections" is one of the Met's best ventures. So far, some 70,000 visitors have flocked in to see it. Prize items: ¶ Florentine Mannerist Jacopo Pontormo's rarely exhibited Halberdier (owner: Chauncey Stillman...
...stoned Palazzo Vecchio, with its narrow, Tuscan-Gothic windows. At right angles stands the triple-arched Loggia dei Lanzi (named for the German lancers quartered there by the Medici), which many critics consider the most beautiful secular building in Florence. Between the two is the short, narrow street which Mannerist Painter Giorgio di Vasari created as a tour de force in perspective, leading to the Arno...
...Italian opera libretti (by Arrigo Boito), which, when set to music by Verdi, became the supreme Italian tragic opera of the Romantic century; and it gave us Shakespeare's unequaled, Baroque-styled drama (as distinguished from his Renaissance plays like Romeo and Richard II, and from his Mannerist plays like Hamlet and Lear). It gives us now another superlative--the production of Shakespeare's masterpiece that has inaugurated the third season of the American Shakespeare Festival Theatre. I have seen some seven or eight Othello productions over the years, and this far surpasses all the others...
...group of madrigals and chansons, performed with a semichorus, went very well save for a couple of imprecise entrances. Outstanding was Monteverdi's Dorinda, with its tortured Mannerist harmonies. "The Promise of Living," from Copland's opera The Tender Land (1953), went far better than on the Chorus' telecast, owing to the use of more singers and rehearsals. The opera was not considered a success; but the criticism was aimed at the libretto and dramatic structure. The music was always warm and limpid...